Evidence that my mind has been entirely corrupted by horrible marketers and their abysmal catch-phrases, I want to say that I was pleasantly surprised with Pleasantville station (this is one notch up from saying “Flip Out!” in an advertisement for a flipbook which I unfortunately created yesterday). Seriously though, the little station in the middle of the Harlem Line has character – a lot of which has to do with the Arts for Transit piece there. The station is easily accessible from the attractive green area in the center of the village. Part of the reason it differs from many of the other area stations is the fact that the platform is lower than the neighboring streets. As opposed to walking up a set of stairs to a vestibule above the tracks, the larger than usual vestibule and waiting area sits at street level, and you instead descend a set of stairs to the platform.

Installed in 2002, Pleasantville’s Arts for Transit piece, titled Almost Home, is the newest located on the Harlem Line. The work was a collaboration between Brooklyn-based artist Jane Greengold, and Vietnamese-born and current New York resident Kane Chanh Do. Both artists work in sculpture and installation art. Almost Home consists of twenty-two bronze chairs, sixteen of which are in the upper waiting area, and six on the lower platform level. A book also rests on a ledge in the upper part of the station, a bronze replica of a copy of the Reader’s Digest… though admittedly I would never have had any clue of what it was supposed to be, had I not researched the piece for this post. Apparently Reader’s Digest was originally printed in Pleasantville, and so the book is representative of that historical link.

Although I can’t say I’ve seen all the Arts for Transit pieces on the Harlem Line, Almost Home really is my favorite so far. Not only is it visually attractive, it is functional part of the station. Conceptually, the almost home theme is intriguing to me. As a commuter, besides my own home and work, I spend a good deal of time on the train or at the train station. At times the train station feels like a second home to me. There are times when I think some artist’s statements are complete BS, but in this case I think Do and Greengold describe their piece quite well:

In this suburb of New York City, we have re-created, in bronze, chairs likely to be found in the homes of the commuters who use the station, bringing some of the comforts of home out to meet the riders, making the station almost like home, and reminding riders that they, too, are almost home. Because the chairs look so life-like, so much like wood and upholstery fabric, they create a humorous, trompe l’oeil effect.