Tuesday Tour of the New Haven Line: Devon Transfer

Giving Devon Transfer its own Tuesday Tour post may be a little bit of a joke, considering it is only a temporary station, nonetheless it is certainly worth a few minutes to check out. Intended to be in place for only six months, the transfer station facilitates passengers getting from the main New Haven Line over to the Waterbury Branch while Track 3 is currently out of service on the Devon Bridge for work. The v-shaped platform at Devon Transfer skirts the far end of the wye, allowing riders to essentially walk from the New Haven main line right over to the start of the Waterbury Branch and board their next train.

In some ways, Devon Transfer is not a true station – it is inaccessible to passengers in any form other than exiting a select main line train, or Waterbury Branch train. One cannot wait at Devon Transfer for any extended period of time – conductors, along with train masters and/or MTAPD are usually present to herd passengers from one side of the platform to the other and get on the connecting train, nor can one purchase tickets there. It does, however, have the typical trash bins one finds at Metro-North stations, lights for after hours, a public address system if ever necessary, as well as station name signs (I wonder who gets to keep these once work is done) on the platform. Utilizing the same wooden-style temporary platforms we’ve seen at other New Haven Line stations during track work, Devon Transfer is a decent substitute for keeping the Waterbury Branch running during the bridgework. In fact, it is arguably nicer than some of the permanent stations on the Branch (Ansonia‘s low-level platform comes to mind).

The Devon Bridge
The Devon Bridge, currently undergoing work, with a six month expected outage on Track 3 (the one closest to the photographer in this picture). Aerial photographs of the Devon Bridge via the Historic American Engineering Record, Jack E. Boucher, photographer, taken April 1977.

For most passengers, the transfer at Devon is relatively convenient, with the exception of anyone coming from/going in the direction of New Haven, who would have to make an additional transfer at Bridgeport for their journeys. Additionally, all New Haven Line trains stopping at Devon will have an increased running time of about a minute, due to the extra stop. However, all of the work here is necessary to address one of the banes of the New Haven Line – its ancient movable bridges. Crossing the Housatonic River, the Devon Bridge (also known as the Housatonic River Railroad Bridge) is a 110 year old, 1,067-foot long rolling lift bascule bridge. It was prefabricated by the American Bridge Company in Trenton, New Jersey, and installed in 1905. Although less problematic as the notorious swing bridges on the New Haven Line (namely WALK), it is well in need of some attention. Suffering from the same lack of standardization found on many of the line’s movable bridges – each one being unique, with its own exclusive mechanical components – it requires custom created parts to fix.


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Dashing Diesels – The Workhorses of Metro-North

While the good majority of service on Metro-North is operated by Electric Multiple Unit cars, the railroad’s dashing diesels handle the rest of the load – largely in the unelectrified territories of the Upper Hudson Line, Upper Harlem Line, and the Danbury and Waterbury Branches. West of Hudson service, operated by New Jersey Transit, is also dieselized, carrying passengers through New Jersey and into New York’s Orange and Rockland counties. Arguably, it is this diesel territory that is likely considered Metro-North’s most beautiful. Spots like Port Jervis’s Moodna Viaduct, views of the Hudson Line from the Bear Mountain Bridge, and the Harlem Line’s Ice Pond all fall into this category.

Here’s a photo gallery of some of Metro-North’s dynamic and dashing diesels, most of which were captured within the past few weeks (although a few are favorites from last year) on the Harlem, Hudson, and Port Jervis Lines of Metro-North. Enjoy!


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The Lost Train Station of the Bronx – 138th Street, Mott Haven

If there seems to be one constant with we humans, it is that we spend much time tearing down vestiges of our past to make room for the supposed future. We build bigger, taller, and seek the more modern, or the more profitable. Many venerable buildings have met the wrecking ball, and although some are well remembered, such as New York’s Pennsylvania Station, others are largely forgotten. One such forgotten New York City gem is the New York Central’s 138th Street station. Upon construction it was considered one of New York City’s most notable examples of Richardsonian Romanesque architecture. Featuring a beautiful clock tower, and ornate terra cotta detailing, this is one place that is definitely worth remembering.

In the northeast, Romanesque style train stations were mostly associated with the Boston and Albany Railroad, which designed most of their main line stations in the style (for example, Chatham, which was a joint Harlem Division station), and many by pioneer architect Henry Hobson Richardson. However, the New York Central did have a few – Richardson proteges Shepley, Rutan, and Coolidge designed the Dobbs Ferry, Irvington, and Tarrytown stations located on the Hudson Line. The railroad also hired Robert Henderson Robertson to design stations at Canandaigua (extant, but heavily modified), Schenectady (demolished), and most notably, 138th Street.

R.H. Robertson was born in Philadelphia in 1849, and graduated Rutgers College in 1869. He started his architecture career working in the office of Henry Sims in Philadelphia, later moving to New York and working in the office of George B. Post. By 1871 he established his own architecture firm in New York City, designing a wide array of buildings from libraries to churches, as well as banks, train stations and private homes. Over the years he worked in various styles, including Queen Anne and Victorian Gothic, but by 1880 became heavily influenced by Richardson’s Romanesque revival style. Robertson was, however, described as “[taking] up the style in his own way.” His prolific New York City career led him to design various buildings that are today designated landmarks, including the Lincoln Building at Union Square, and Fire Engine Company 55‘s firehouse in Little Italy.

138th Street Station shortly after construction. Original photos from the Andrew Dickson White Architectural Photograph Collection, Cornell University Library. Photo restoration work by HarlemLine.com


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Spring Thaw on the Saratoga & North Creek

This past winter was long and cold for all of us, and thankfully everything is finally beginning to look bright. Upstate in the Adirondacks the Saratoga & North Creek Railway was hard-hit. Normally operating several snow trains a few weekends during the winter, much of February’s service was entirely cancelled due to the extremely cold weather. Prior to the cancellations, one train that did run broke down heading southbound, necessitating a school bus to carry all the passengers back to Saratoga.

I had been planning to photograph the railway in the snow, but the lack of trains cancelled those plans. Instead I visited in April, catching the Spring thaw along the line, with just a few bits of snow remaining along the banks of the Hudson. Although minimal freight operates on the line, I didn’t see any, only capturing the two passenger trains that operate each day.

Tourist trains have operated on this line since 1999, but the Saratoga and North Creek has only been running since 2011, operated by Iowa Pacific Holdings. They’ve only been carrying freight since 2013, a business they’d like to expand, as they’re losing money on their tourist trains (no doubt the harsh winter and cancelled trains did not help). Historically, the Delaware and Hudson Railway acquired this line in 1871, and ran on it until 1989 (an abandoned portion of the line, including a bridge, can be seen in a few of my photos).


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Happy 184th Birthday to the New York & Harlem Railroad!

Happy Birthday to the Harlem Railroad

A very happy 184th birthday to the New York & Harlem Railroad, New York City’s very first railroad, chartered on this day in 1831. Started as a humble street railroad using horses for motive power, it eventually grew to reach Westchester, Putnam, Dutchess, and Columbia counties, and is the origin of today’s Harlem Line.

We’ve posted many things about the history of the Harlem Railroad over the years, so if you’re interested in taking a walk down memory lane, be sure to check some of these old favorites out:

The Streetcars of the New York & Harlem Railroad
180 Years of History – the Harlem Railroad
Remembering the Upper Harlem Line, Part 1
Remembering the Upper Harlem Line, Part 2
Remembering the Upper Harlem Line, Part 3
Postcards on the Harlem Line
Timetables of the Harlem Line

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Trains and Modern Photography: The Joys of GPS

One of the best tech secrets of modern photography is the ability to never have to write down in a little notebook where you were when you took a photo in order to remember later. Many folks have GPSes in their car, but they aren’t only for getting directions from place to place. A GPS device can also record the very place you were standing when you took a photograph, and save it into your camera’s EXIF data. For those that spend time traveling and chasing trains, a GPS is extremely useful. Photos that have GPS data recorded are known as “geotagged” – and to the modern photographer, it’s the best thing since sliced bread!

Since I’ve mentioned EXIF data, it is certainly worth mentioning this other wonderful part of modern photo. EXIF stands for EXchangeable Image File format, which is basically a way that a photo’s metadata is saved. Each photo taken with your camera has this data, which usually records the date and time the photo was taken (provided you have this set correctly in your camera), the camera make and model, and the settings used to capture the photo – usually the mode setting, ISO, aperture, and exposure. In some cameras you can set specific copyrights (my camera adds my full name and website address to the EXIF data) or other messages. If you have a GPS device linked to your camera, GPS coordinates for when the shot was taken (including the altitude in some instances) are also recorded.

Getting GPS data on your camera

So how do you go about getting your camera hooked up to a GPS device? Many new cameras are coming out with GPSes built right in. One of the reasons why I fell in love with my main camera, the Canon 6D, is the built in GPS. The Sony SLT-A99, Nikon D5300, Canon 7D Mark II, Pentax K-5 IIs, and Pentax K-S1 are all examples of DSLRs with built-in GPSes. If you don’t have one of those, however, that does not mean you are out of luck. Most manufacturers make external GPS loggers that connect to your camera. The good thing about these devices is that they add the GPS coordinates directly to the photo’s EXIF data. However, they cost about $200 dollars for one actually made by Nikon or Canon.


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Trains & Modern Photography – High Dynamic Range

Love it or hate it, High Dynamic Range, better known as HDR, is the topic of our first post here in “Trains and Modern Photography.” Many folks, who are quite vocal (for example, the blog I Hate Your HDR), find fault in the often overdone and completely fake appearance of some HDR photos. However, if you do HDR right, and in a subtle way, it can make a great photo.

The goal of HDR photography is essentially to get more detail in the shadows and lights of your photo. This concept, however, long predates digital photography. Back in the days of black and white film photography, the film could capture a wider range of details than could be displayed in a print. Thus using darkroom techniques like dodging and burning, one could bring out more details in highlights and shadows. Ansel Adams was considered a master in techniques like this, and his photo Moonrise is considered a prime example. Compare below, the “straight print” of the photo with no modifications, versus the darkroom edited version. Beyond the sky being darkened, which was clearly a stylistic choice, the clouds and moon which were bright and nearly blown out gain more detail. The somewhat washed out foreground gains contrast and detailing. These are some of the very same things that good HDR photography attempts to do.

Moonrise by Ansel Adams, before and after darkroom editing to gain more dynamic range.

In order to do HDR, one must use exposure bracketing (which is often a feature you’ll find in your DSLR). Basically, you’ll take three photos of a subject, one at a normal exposure, then one with less exposure (yielding a darker photo, with details in the highlights), and another with more exposure (yielding a brighter photo, with details in the shadows). Later on you will combine the three photos in computer to blend them together and create a single HDR photo.


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Introducing our new project – “Trains and Modern Photography”

For more than a hundred years trains and railroads have provided an interesting subject matter for photographers. In the earliest years cameras were clunky and few, often in the hands of a professional. As the years went by, especially after the introduction of photographic film, cameras found their way into a railfan’s arsenal in increasing number. We’ve come a long way since then. The modern world has technology abound, and a camera is now found in just about everyone’s pocket, thanks to cell phones. For those serious about photography, technology has opened so many doors, and has made the art of railroad photography even more interesting. While many of the underlying principles have always remained the same, images that could never be captured before are now possible. Railfanning via a camera mounted on a flying drone would likely have been beyond the wildest dreams of early photographers, yet it is one way that people are capturing images of trains today.

A very early railroad photo
A daguerrotype considered one of the earliest known railroad photographs, circa 1850. Via the Center for Railroad Photography and Art.

I consider my upbringing to be on the very bridge of old-school photography and the “modern” technology world. I grew up shooting film, and in art school was expected to develop my own negatives and prints (admittedly, I hated it). Likewise, I remember getting my hands on my very first digital camera as a freshman in high school – it was a clunky beast, taking a 3.5″ floppy disk to save just a few photos. It wasn’t until I was in college that I got my very own digital camera (a simple point-and-shoot), and I didn’t get a digital DSLR until after I had graduated. I never fully enjoyed photography much until I had gone full digital, and since then I’ve attempted to embrace all the newest tech that I can get my hands on.

Grand Central Construction
Image from a glass plate negative of Grand Central Terminal’s construction. From the Library of Congress.

Because of my love of photographic technology, and a suggestion by a reader, I’m going to be starting a new feature project on this blog – namely a column entitled “Trains and Modern Photography.” The column will feature both modern photographic technology, like the aforementioned drones, to GoPros, as well as modern techniques, like panoramic, high dynamic range, and timelapses – all from the perspective of a railfan. Though it will be of most interest to the photographer, I hope that everyone will be able to enjoy it, essentially seeing the “behind the scenes” of how great photos are made.

Modern tech in a classic setting at Grand Central Terminal
Modern tech in a classic setting at Grand Central Terminal

So that is about it for this introduction… look for the first “Trains and Modern Photography” post tomorrow, represented by a light green dot, which you’ll see now added to the category list on the right bar of the site. If you happen to have any suggestions or ideas of technology or topics we should cover, shoot me a message or just comment below!

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Grade Crossing Safety: Metro-North’s New Pilot Program

This morning Metro-North announced a new plan to get people’s eyes focused on grade crossings – literally. In a new pilot program, the railroad will be hiring people to wear costumes and protect grade crossings, reminding drivers not to stop on the tracks, or attempt to go around lowered or lowering crossing gates.

Grade crossing incidents have been at the forefront of railroad safety recently, after three high-profile incidents caused major derailments, many injuries, and seven deaths. The three incidents occurred in New York, California, and North Carolina, proving that this is not merely a local problem, but a national problem.

Describing the new pilot program, Metro-North president Joseph Giulietti explained:

Although our program comes up with a solution that is light-hearted, the goal is not to trivialize the problem, or the incidents that have happened at grade crossings. People’s eyes are drawn to things like this – which is the same reason why a fast food place might have a guy dancing around in a hot-dog costume, or a tax prep place might have a lady liberty standing around outside. Sadly, we need to get people’s attention. It seems in our world full of the distractions of loud music, cell phones and other electronic devices, ringing bells, flashing lights, moving gates, pavement markings, and plenty of signage simply does not get anyone’s attention. Even several high-profile grade crossing incidents, and increased police presence at crossings has not stopped drivers from waiting on the tracks, or driving around lowered gates to beat the train.

I find myself agreeing the concept of distracted driving – some have mentioned that Ellen Brody, the woman who caused the Valhalla crash that killed six people, may not have been familiar with the crossing and intersection because of a crash on the Taconic and a detour that evening. Meanwhile, Deborah Molodofsky, who has mentioned she was familiar with the grade crossing in Chappaqua where she had a “close call,” still waited on the railroad tracks and was surprised when the gates came down around her car. Even afterward, she was quoted as saying “I did everything right and I still got caught” – completely oblivious to the fact that she did nothing right – one should never stop on railroad tracks – apparently Ms. Molodofsky never noticed the signs that say as much on the many times she passed that crossing.

Adding to Mr. Giulietti’s comments, Metro-North spokesperson Marjorie Anders said:

On our New Haven main Line, where there are no grade crossings, there are still many incidents with overheight vehicles striking the bridges that carry the tracks. On the Hudson Line, one of our 100+ year-old historical stations had a gorgeous pedestrian walkway into the station – it was completely destroyed by a dump truck striking it. This is clearly a complex problem that will not just have one solution. But if we only look at the grade crossings themselves, we’re missing an important part of the equation – driver distraction.

Anders’ point is a good one – even the NTSB has spent a good amount of time talking about driver distraction in transportation recently, holding a round-table discussion called “Disconnect from Deadly Distractions,” which was live-tweeted by the NTSB’s twitter account.

Note: The Hudson Line station Ms. Anders mentioned where the pedestrian crossing was destroyed was Ardsley-on-Hudson.

President Giulietti made sure to add one more note on the subject:

If for some reason you do happen to get stuck on the railroad tracks, each crossing has a sign with a telephone number and a description of the location. If you call that number and report a vehicle stuck, we can halt trains on the line and prevent a dangerous incident from occurring.

We were lucky enough to capture a video of one of the new hirees working on the Harlem Line, at the Cleveland Street crossing in Valhalla. The town of Mount Pleasant has recently revealed that they would like to close this crossing, to the detriment of the people that live in the neighborhood just over the tracks.

Hopefully such measures will capture the attention of the many drivers that make poor decisions around railroad tracks every day.

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