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Bridges of Metro-North: The Harlem River Lift Bridge

Throughout the entire Metro-North system there are an array of movable bridges – bridges which as of recently seem to be a thorn in the rail system’s side. Much of the infrastructure on these bridges are old and prone to issues. Thankfully, updates are going on to get these bridges in better working order, and we’ll be taking visits to some of the more prominent bridges in the system in the next few weeks.

Today we feature the busiest bridge on the entire system, the Harlem River Lift Bridge. At sixty years old the bridge is not nearly as old as the issue-plagued WALK bridge, but it by far sees the most action, carrying nearly 700 trains per day for all three East of Hudson Metro-North lines. Over the past few months work has been moving along on the bridge – installing new cables that lift the tracks over the river for passing boats, and putting in new wiring, power supplies, and electrical control systems. Below the bridge a circuit breaker room that flooded during Hurricane Sandy and is experienced corrosion will be replaced. Gone will be an old crank control, updated to today’s standards with modern computers. In total, the overhaul has a $47.2 million price tag.

Previous railroad bridge over the Harlem River
The 1867 bridge over the Harlem River, note the construction of a temporary bridge to allow a new 1891 span to be constructed on the main line. Image from the December 1892 Scientific American.

Historically, several previous movable bridges stood at this very spot, carrying the New York Central over the Harlem River. The first bridge over the river was completed in 1841, and stood a mere eight feet over the water at high tide. Made of wood, that bridge was later updated with iron spans in 1867. Later, a four track swing bridge was built in 1891. This bridge connected with the new Park Avenue viaduct, raising the tracks above Harlem and allowing a higher crossing over the river.

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Meet TIM – Metro-North’s new credit card enabled Ticket Issuing Machine

As most of you have likely heard by now, Metro-North has begun a pilot program testing new Ticket Issuing Machines (TIMs) on the Upper Harlem Line (or as Metro-North would call it, the Wassaic “Branch”) and the Danbury Branch. The big news about these machines is that they accept credit cards – something conductors selling tickets have long been unable to do.

I got a chance to check out one of these new machines, and must admit they are quite cool. Slim and light compared to the previous TIMs, these new machines are essentially tricked-out iPhones running special software. Wrapped in a blue Metro-North case, the TIM contains an LED barcode scanner (used for scanning the barcode on IDs of delinquents that have neither tickets nor money) and a swipe for credit cards. The special software installed on the phone not only allows conductors to sell tickets, but it also “locks down” the iPhone, preventing it from downloading apps, reading email, and all the other things you wouldn’t want a conductor to do while on duty.

Metro-North's new TIM (Ticket Issuing Machine)
The new Metro-North TIM and printer

Similar to the previous TIM, the new TIM connects wirelessly to a printer that can be hung from the belt. This printer provides the customer with a receipt for the ticket they bought. It also provides the conductor at the end of the day a receipt that lists how much they’ve sold, and further breaks that down into cash tickets sold (which needs to be turned in to Metro-North), and how much was sold by credit.

While the majority of Metro-North riders are conditioned to purchase their tickets before boarding, there remains several stations on the Danbury and Waterbury Branches that do not have platform ticket vending machines or ticket sellers. It is there that the new TIM will likely be most welcome. But for those people that race to catch a train and aren’t able to purchase a ticket before boarding, being able to use a credit card is a great convenience.

Metro-North's new TIM (Ticket Issuing Machine)
The new TIM features an LED barcode scanner, and a swipe for credit cards

Though much of the fanfare regarding the new TIM focuses on the ability to accept credit cards, it is worth mentioning that the new technology can help out quite a bit when it comes to customer service. One of the main complaints I hear are that customers on trains stuck in delays are not provided with enough information as to what is going on. What most don’t realize, however, is that conductors are often not given information about what is happening. In fact, Metro-North’s text alert system often provides customers with information that crews don’t even know. Because the new TIM is essentially a cell phone, the potential is there to use it to notify conductors about issues – information that can then be relayed to the customers over the train’s PA. Whether the technology will be used in this fashion remains to be seen, but it is certainly a step in the right direction.

Of course, one must remember that this is only a pilot program. However, I imagine that once the system’s inevitable bugs are worked out, credit card enabled TIMs will soon be popping up on more lines and trains.

Metro-North's new TIM (Ticket Issuing Machine)
The new TIM’s blue protective case, bearing the Metro-North logo

Metro-North's new TIM (Ticket Issuing Machine)
The ticket software is conveniently accessed through this icon of an M7

Metro-North's new TIM (Ticket Issuing Machine)
Three screens of the new TIM – A message sent to the conductor, the screen selling tickets, and a screen showing the phone’s “lockdown” – preventing the iPhone from doing the things most people do with iPhones

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A visit to the restored Santa Fe Depot, Fort Worth, Texas

As the somewhat clichéd song lyrics go, “they paved paradise and put up a parking lot.” In the case of the former rail station we’re visiting today, that almost happened – literally. The beautiful Santa Fe station in Fort Worth, Texas, was almost razed and turned into a parking lot. Thankfully, the property was purchased by real estate investor and developer Shirlee Gandy. After investing over two million into the building to properly restore it, it was reopened as the Ashton Depot, a lovely banquet hall that hosts weddings, corporate events, and other such festivities.

Opened in 1899, the depot was constructed in the beaux-arts style, though the design was undoubtedly influenced by the aesthetic of the southwest. The two-story rectangular building is constructed of bright red brick and detailed with white limestone. Fine details can be found on both the exterior and interior, including several lion heads that surround the building, and attractive plaster design work surrounding the inside archway.

Santa Fe Depot in 1908
Early view of the depot’s exterior, featuring some details that are a bit different today. Photo via Fort Worth Gazette.

Built for the Gulf, Colorado and Santa Fe Railway, the building was generally known as the Santa Fe depot. Several other railroads had used the building, but by 1960 the Santa Fe was the only railroad that remained. Once Amtrak was formed, it was the sole user for passenger service up until 1995.

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#GEInstaWalk – Touring GE’s rail locomotive production facility, Fort Worth, Texas

It’s not every day that a railfan gets to visit the place where mighty railroad locomotives are born (forged of steel and bound together by lots and lots of welding)… Recently, however, I got an invite to tour GE’s new locomotive manufacturing facility in Fort Worth, Texas. Right now they’re producing the Evolution Series Tier 3 locomotive (ES44C4) for BNSF, and I got an up close and personal view of the process from start to finish. The entire locomotive creation process takes about 60 days, and the facility had various locomotives in all stages of that process. Every week six locomotives are completed… six gleaming, shiny powerhouses…

 
A shiny new locomotive, ready to be tested on GE’s test track…

My invite to GE Manufacturing Solutions came with their #GEInstaWalk program – which opens some of GE’s state-of-the-art facilities to Instagram photographers and fans. This was the third InstaWalk to be held, the first being at GE Aviation’s jet engine testing facility in Peebles, OH, and the second was to see the two GE wind turbines at the Cape Cod Air Force Facility in Massachusetts. Each event was a unique opportunity for the attendees to get a VIP experience “behind-the-scenes” of some amazing technology.

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H.H. Richardson’s Last Station – New London Union Station

When it comes to great American architects, one must certainly mention the name Henry Hobson Richardson. Richardson’s name may not be as widely mentioned as some others – likely because he unfortunately passed in his prime at the age of 47 – but his influence in American architecture is obvious. The architectural style he popularized bears his name – Richardsonian Romanesque – and is certainly one of my favorite architectural styles. The style features attractive arches and rusticated stonework – and is familiar to fans of the Boston and Albany Railroad, the style in which many of that railroad’s main line stations were designed.

Most of the Richardsonian Romanesque stations we’ve featured on the site – Chatham, Dobbs Ferry, Hartford, Irvington, and Tarrytown – were designed by the firm of Shepley, Rutan, and Coolidge, Richardson’s three assistants who continued the business after his death. The station we’re visiting today, however, was Richardson’s final station design. New London’s Union Station was conceived in 1885 – one year before Richardson’s death. Construction was not completed until one year after his death in 1887.

1885 Sketch of New London
1885 elevation sketch showing the detailing for New London’s Union Station. Image courtesy Shepley Bulfinch.

Although New London Union Station strays a bit from the typical Richardsonian Romanesque style as it is constructed primarily of brick, the characteristic arches, detailing, and occasional swaths of rusticated stone can be found. Bricks radiate outwards from the arches, creating a sunburst effect, and alternating exposed bricks create detailed borders around the top. Completing the detailing of the station is a wide band above the entrance, labeling the building “Union Railroad Station.” The New York, New Haven and Hartford Railroad was the station’s primary occupant (having leased the Shore Line Railway in 1870), though the station was built in conjunction with the Central Vermont Railroad (which had leased the New London Northern Railroad) making it a Union Station.

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Arts for Transit in Brooklyn – Exploring the J Line

Continuing my exploration in search of attractive glasswork on the New York City subway leads me to Brooklyn and the J Line. Though a few of the works installed on the line are currently undergoing conservation, there are plenty of stations still worth visiting with attractive art. While some of the stations we visited in the Bronx had only a few panels of art, several of the J line stations have art on a significant scale – Broadway Junction, for example, has a total of 75 faceted glass panels.

Today we’ll be visiting three stations on the line – Van Siclen Avenue, Broadway Junction, and Chauncey Street – to check out the Arts for Transit. We’ll start at Van Siclen Avenue – the furthest station from Manhattan that currently has glasswork on display…

Van Siclen Avenue

Artist: Barbara Ellmann

Title: The View From Here

Bold, bright colors await you on the platform of Van Siclen Avenue. Influenced by the geometric shapes visible from the platform – buildings, windows, doors, brickwork – the landscape has been rendered into an abstract geometric view that splashes the concrete of the platform with color. Twenty-one faceted glass panels serve as windscreens spread along the station’s entire elevated platform.


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An afternoon out at Spuyten Duyvil

Although it is quite obvious that I am a lover of the Harlem Line, it is undeniable that there are beautiful spots located all along Metro-North’s right of way. Even though the Moodna Viaduct may be one of my favorites, there are plenty of other spots I enjoy on the Hudson Line, like Bear Mountain, Dobbs Ferry, and Breakneck Ridge. The area around Spuyten Duyvil is also especially nice, and I spent an afternoon there a few weekends ago photographing and recording both Metro-North and Amtrak trains.

 
And #217 said, “I don’t think I can…”

If you’re interested in checking out the area, across the river Inwood Hill Park offers great views of Metro-North’s Marble Hill and Spuyten Duyvil stations, as well as Amtrak’s swing bridge. Not necessarily railroad related, but of noteworthy mention is the large painted “C” that is kind of hard to miss. The C stands for Columbia – and was first painted on the rock in the early 1950s, with the approval of the New York Central Railroad. Coxswain of the heavyweight crew team, Robert Prendergast, came up with the idea and approached the railroad for permission. After it was granted, the C was painted about 60 feet by 60 feet square, and has been maintained ever since.

One of my personal favorite spots is the swing bridge used by Amtrak, after it splits from Metro-North’s Hudson Line. As most of you are already aware, for many years Amtrak trains ran from Grand Central Terminal. After some significant work in the late ’80s, including fixing up this old swing bridge, Amtrak was able to finally consolidate its New York City operations in Penn Station and vacate Grand Central. I can’t say that I know first hand, but I’ve heard plenty of stories about raucous parties that happened on this bridge while it was out of service. Originally constructed in 1900, the bridge was damaged and taken out of service in 1982, and was reopened in 1991.
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The Half-Abandoned Clinton Union Station

Any longtime visitor of this site is well aware of my fascination with abandoned infrastructure – whether it be remains of Chernobyl’s “Radioactive Railroad,” or the inner depths of the long-shuttered Union Station in Gary, Indiana. On a recent visit to Massachusetts, I happened to encounter the old railroad depot in Clinton, and was instantly attracted. Though the abandoned rail tunnel also located in Clinton seems to get more attention than the depot, this old shell of a building that was once undoubtedly beautiful is definitely worth a look.

1888 Boston and Maine Map, highlighting Clinton
Edited and cropped 1888 Boston and Maine Map, highlighting Clinton. Original map from the David Rumsey Collection.

Once straddling the Boston and Maine and the New York, New Haven, and Hartford Railroads, these days the half-abandoned depot watches the occasional Pan Am or CSX train go by. I say half-abandoned, because despite the outer look of abandonment – complete with boarded up windows and graffiti – part of the building is in fact occupied. Because one of the rail lines was elevated, the station was dual level – and it seems that it is this upper level that is in fact abandoned. Below, however, a laundromat and a used clothing shop occupy the space. While the laundromat is quite austere, mixed in among the racks of old clothing in the shop next to it, one can observe the original details of the station – including a door labeled “Baggage”.

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Exploring the 4: Arts for Transit Glasswork in the Bronx, Part 2

Continuing along on our tour of the 4 line’s Arts for Transit glasswork are five more stations – each with a unique piece of art that adds color to the urban landscape.

183rd Street

Artist: Jose Ortiz

Title: Many Trails

Found in the mezzanine area of the station, the glassword at 183rd Street depicts scenes from the area, both from the past and present. The title of the piece derives from the symbol depicted on the first panel of the piece – it is the Mohican “Many Trails” symbol. The meaning behind the symbol is described as thus:

The design symbolizes the endurance, strength, and hope of a long-suffering, proud, and determined people. The curved shape represents the arms of a man raised in prayer. the circles represent many campfires. The lines represent the many trails taken from the time the Indians left their ancestral homes.

Some of the scenes depicted in the piece are the lands once inhabited by the Siwanoy Nation (a branch of the Mohicans) in the 1600s, the Croton Aqueduct, St. Nicholas of Tolentine Church, and the Hall of Fame for Great Americans at Bronx Community College.

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Exploring the 4: Arts for Transit Glasswork in the Bronx

As has been readily established on this blog, I’m not much of a fan of subways. The subterranean lack of light has never been of much intrigue to me, though I do find some interest in the stations located above ground. Many of New York City’s above-ground subway stations feature attractive stained glass art, through the Arts for Transit program. While I thought it might be interesting to do a post featuring some of the attractive stained glass found on the subway, I ended up with a whole lot more material than I anticipated.

Though we won’t be going as in-depth as my previous tours of Metro-North stations, I did think it would be fun to tour some of the above-ground sections of the NYC subway, focusing on the glass art found at various stations. When trains went back underground – I bailed – and when the art wasn’t glass in the windows or windscreens, I skipped it.

We’ll start our exploration on the 4 Line. If you’re interested in joining up via Metro-North, board a Bronx-bound 4 train to Woodlawn from Grand Central or Harlem-125th Street. We’ll be starting at Woodlawn – the end of the line – and working our way down.

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