If this is a technique you’ve always been interested in trying out, or you’re just curious to see how exactly one makes a panorama (especially one featuring a train) – from camera to computer – read on.

Making a panorama

Taking the shots

The first part of any panorama is getting the shots that you need to blend later on. As a beginner looking to do a railroad panorama, I would suggest you try to capture a train that is not moving. Whether it is tied up for the night or just stopped at a station, having everything stationary is best – moving objects can cause issues and anomalies in the stitching process.

These days, programs are usually good enough to accommodate photos not taken on a tripod. But you’ll want to remain in the same spot, and most importantly, keep the camera at the same angle within each shot. Rotate your body to get a wide field of view across multiple shots. Make sure to overlap – 40% overlap is usually the rule of thumb – so the stitching program will have room to blend the images together. It doesn’t matter if you shoot horizontally or vertically, but if you want to get the highest resolution image, shoot vertically (it will likely require more shots to capture the full field of view, however).

   
   
Here’s an example of seven shots I took of an M7 making a station stop at Harlem-125th Street. Note how I’ve rotated along the field of view, while allowing some overlap between the photos. Since the train was not moving, I was able to capture it across multiple shots.

Things that move

If you’ve tried the stationary panoramas out, or your feeling a bit bold, you can go for a moving object. If you’d like to capture a moving train, for example, what you need to do is capture the ENTIRE train in one photograph (unless you want the train extending off the side of the image). For this reason, it is better to capture your photos in a horizontal format, so you can better capture the entire train. If you capture the train using multiple shots, because it was moving it will appear in different places each time, and thus impossible to stitch properly.

If you’re shooting a passenger train, after the train has passed, then capture the rest of the shots of your field of view. If you’re capturing a long freight (where in this case you probably would have the train extending off the edge of the image) it is probably best to get your other shots before the train arrives, since it may take so long for the train to fully pass that the sunlight has changed, making it very hard to stitch those images together.

 
  
  

Here’s an example of five shots I took of a P32AC-DM on the Hudson Line, passing West Point. Note how in the first shot I capture the moving train, and then in the subsequent shots capture the field of view after the train has passed.

This is what those photos look like stitched together in a final panorama.

What program to use?

In order to make a panorama from multiple shots, you’ll need some program to stitch the images together. There are various free options out there, like AutoStitch, which I used regularly years ago (and was what I used for all of the original panoramas for the entire Harlem Line in the Metro-North Panorama Project), but these days I use Photoshop’s Photomerge tool. If you’re serious about photography, Photoshop and Lightroom really are the best programs for you to be using to make your images better. They’re the industry standards.

Using Photoshop’s Photomerge tool

Photomerge is relatively basic, from the File menu, go to Automate and choose Photomerge. In the window that pops up, select the images you’d like to stitch together using browse. For almost all instances you don’t need to change any of the default preferences. Auto layout usually does the trick, and you want to keep Blend Images Together on, as it blends any color discrepancies between the images, to make it look like one complete image in the end. Depending on your lens and camera, your photos may have some Vignetting, or a darker ring around the edge of your photo. If that is the case, you can check off Vignette Removal (I prefer to remove any vignetting in Lightroom prior, and if you use both programs that is what I’d suggest).

The menu showing where Photomerge is, and the Photomerge window.

Now you have a stitched image…

Your photos may now be blended together, but it isn’t quite yet perfect or how you imagined it. You’ll need to crop unwanted jagged edges, and make minor adjustments with the warp tool in order to get that perfect panorama.

The stitched image that Photoshop spits out from the seven Harlem-125th photos. Note that each individual photo is a layer, which allows you to fix errors in stitching if there are any. Provided that everything looks good, you should merge all your layers before proceeding.

Working on the image – cropping and minor edits with the warp tool make the final image.

The completed panorama.

Questions about the process

Why make a panorama out of multiple pictures using stitching, when many new cameras and phones have a dedicated panorama feature?
The panorama feature you’ll find in newer cameras or phones requires you to pan the camera across the field of view, and it will automatically assemble the panorama for you. While this is, of course, easier, it doesn’t necessarily yield the highest quality result. If you’ve ever wanted to print out your photos, you’ll find that the resolution of an in-camera panorama job is low. In contrast, the West Point panorama above has a final pixel size of 14329×4000 – sufficient resolution to print the final image at a width of nearly six FEET. Now I’m not saying you’ll ever have to do such a thing, but you’ll get a higher quality, more detailed image that is croppable if you desire by stitching.

What are some fun things you can do with panoramas?
Once you get the whole “moving train” thing down, you can try this funky technique, which I’ve always liked. Capture the train entering your field of view on the left side, and then capture it yet again as it leaves your field of view on the right side. It looks something like this:

What other methods can you use to capture wide fields of view?
Besides panoramas and stitching, you can capture wide fields of view with very wide angle lenses, and fish-eye lenses. A wide angle does capture a wider field than a normal lens, but it can never capture as much of the field of view as a stitched image could. Fish-eyes are nice (and I enjoy them very much!) but the distortion they cause is a little too much for most people.

But sometimes there is distortion in panoramic images. How do you minimize that?
From an artistic perspective, I tend to enjoy the distortion you can get in a fish-eye or panoramic shot. It is almost like a visual cue that what you’re seeing is something beyond the capability of your own two eyes. In terms of railroad photography, it also introduces a break in the abundance of long, straight lines from railroad tracks and platforms. However, it isn’t for everyone. In a stitched image, you’ll get more distortion the closer you are to the subject you’re photographing. If you’re capturing a train that is on a platform (like the Harlem-125th panorama above), it is very difficult to achieve no distortion. In the Hudson Line panorama, however, there is no noticeable distortion, as I was far away from my subject.

What is your favorite panorama from the Panorama Project?
Although I definitely consider the photos I initially took of the Harlem Line to be subpar considered to my work today, I’ve always liked this photo of Harlem-125th Street for some reason. I have a printed version hanging on my cubicle wall at work.

That just about wraps up today’s post – have more questions about panoramas? Have a panorama you’d like to share? Want to make a suggestion for a future Trains & Modern Photography post? Drop a line in the comments!

Today we feature the busiest bridge on the entire system, the Harlem River Lift Bridge. At sixty years old the bridge is not nearly as old as the issue-plagued WALK bridge, but it by far sees the most action, carrying nearly 700 trains per day for all three East of Hudson Metro-North lines. Over the past few months work has been moving along on the bridge – installing new cables that lift the tracks over the river for passing boats, and putting in new wiring, power supplies, and electrical control systems. Below the bridge a circuit breaker room that flooded during Hurricane Sandy and is experienced corrosion will be replaced. Gone will be an old crank control, updated to today’s standards with modern computers. In total, the overhaul has a $47.2 million price tag.

The 1867 bridge over the Harlem River, note the construction of a temporary bridge to allow a new 1891 span to be constructed on the main line. Image from the December 1892 Scientific American.

Historically, several previous movable bridges stood at this very spot, carrying the New York Central over the Harlem River. The first bridge over the river was completed in 1841, and stood a mere eight feet over the water at high tide. Made of wood, that bridge was later updated with iron spans in 1867. Later, a four track swing bridge was built in 1891. This bridge connected with the new Park Avenue viaduct, raising the tracks above Harlem and allowing a higher crossing over the river.

            

Millerton itself was a town created pretty much around the railroad. The New York and Harlem Railroad ran through, as well as the Central New England. In fact the name Millerton came from the civil engineer tasked with the construction of the rail, Sidney Miller. Though both of those railroads are long gone today, the town hasn’t lapsed into loneliness and disarray. The Main Street area bustles with people checking out the shops, or using the rail trail. So many towns today are filled with chain and big-box stores and are utterly devoid of character. Millerton is the complete opposite – full of family-owned shops, and old-fashioned in a charming way, yet doesn’t feel dated.

Though the rail is no longer there, the converted rail trail is an attraction that brings in locals and visitors from beyond. The other day I read an article discussing options for bikers from the city that wanted to get out, ride, and make a day of it. By Metro-North, one has two pretty good options for spots: Poughkeepsie on the Hudson Line, and Wassaic on the Harlem Line. Although the article knocks the Harlem down in terms of the view on the journey (I know, I know, the Hudson River is beautiful), it ultimately determines that the Harlem journey is probably the best choice for the biker. The Hudson option provides around 5 miles of trail on which to ride, where the Harlem extends for nearly 11 miles, terminating in the village of Millerton. If you ask me, I’d take Millerton over Poughkeepsie any day, no contest.

 
  
 
   
 
   
 
  
 
  
 
  
   
 

In other news, I figured that I would mention the Harlem Valley Rail Ride, which appropriately begins in Millerton and covers some of the original route of the Harlem Division (and of course is now part of the rail trail). The ride will be held this year on July 24th. For anyone that needs, there will be a bus that will pick up riders and their bikes from the city and take them to Millerton. Riders have a choice between 25, 50, 75, and 100 mile routes.

A portion of the fee for entry goes to the cause of supporting and maintaining the Harlem Valley Rail Trail. For more information, be sure to check out the Harlem Valley Rail Ride website.

Photo of Chatham from the book, taken at some point in the late 1800’s

I finally got off my butt and made the trip to the library in Katonah on one of the days we had warm weather. I’d never been to the library before, so I didn’t know what to expect, or whether the book would even be in a “public” area. The person at the front desk was rather snippy with me when I asked her to help me find the book, despite me saying I had never been there before and had no idea where to look. I told her that I figured the book would probably be in a special section, given the fact that it is over a hundred years old… and she told me to go talk to the reference librarian. Thankfully, the reference librarian was kind and helpful. The book was in a locked cabinet, and I took it to a couch, where I read it in short order.

And then, of course, I digitized it. I would have much rathered to scan it, to get a better quality, but I ended up just photographing each page. The majority of the book is text, though there are a few photographs: two of Chatham, one of Mount Kisco, and another of Chappaqua. It does have some pretty cool little anecdotes about general rail history, and the history of the Harlem.

Did you know that Peter Cooper, other than having absolutely amazing facial hair, was the designer and creator of the first steam locomotive in the US, a locomotive which could only attain a speed of eighteen miles-per-hour? I didn’t.

Amusingly, the book details people opposing railroads, and not for things that at least make sense – like the noise of the locomotives. No, people protested because they thought that railroads would effect animals: preventing cows from grazing, causing hens to stop laying eggs, and railroads would lead to the destruction of birds. But then there were also people on the opposite side of the spectrum: the citizens of “primitive” and rural areas, such as Dover Plains, that gazed at locomotives for the first time with intense curiosity.

In the continued celebration of Harlem Railroad Month, I am happy to share this wonderful book. It is a relatively short read, but an interesting one.

[pdf-ppt-viewer href=”http://www.iridetheharlemline.com/ny_harlem.pdf” width=”600″ height=”500″]

If you’d prefer to download the book (or the above preview doesn’t work), please right click on this link, and choose to save the target as.

Many places across the country have seen transformations, with the things they were built upon playing a part in their downfall. Detroit was built on the auto industry, but as the industry migrated and moved overseas, parts of the city have become abandoned – a true example of urban decay. The small town of Centralia, Pennsylvania was built upon anthracite coal, literally and figuratively. Ironically, it was the coal brought the death sentence of the little town, as it caught fire in the 1960’s and has been burning ever since. There is something about these changed places that intrigues me (high on my list of places to visit is also Pripyat, an abandoned town brought down by the failings of humans). All of these, of course, are radical examples. Chatham lives, it does not decay. Perhaps the once-fundamental core of its being is gone, but it still thrives. But just as one can compare the photos of Detroit’s urban decay with the historical photos of yesteryear, one can bear witness to the radical changes made in just a few scant years (or slightly longer than the years I’ve been on this Earth). There are no more signal towers, water towers, or turntables. The children of Chatham will never board a passenger train in their village to head the one hundred and twenty seven miles to Grand Central. And of course, the Harlem division will never again run this far north.

The time for Chatham as a railroad town has passed. As the time has ticked by it has reinvented itself, and is still reinventing itself. It is not the decline as a railroad hub that has intrigued me about Chatham, but that reinvention. It is a charming and beautiful little village, with a gazebo, clock tower, shops, and restaurants – plus a whole lot of history. The photos below were taken back in October upon my second visit to Chatham, a visit where I actually had time to shop and eat, and enjoy the surrounding history. Perhaps if you too find Chatham to be interesting you will take the time to visit some day…

 
  
 
 
 
  
 
   
 
 

The photos below were sent in by reader John. They were taken in the late 1960’s at Chatham.

 
 
 

For an even further back look, the Library of Congress has an illustrated map view of the village of Chatham from 1886. At this time the “Union Station” had not been built, and the Boston & Albany, and the New York & Harlem each had their own rail stations. For easier viewing I’ve given the B&A station a slight red tint, and the Harlem a blue tint.

Enjoy this quick look at Tremont station through various panoramas… This pretty much wraps up our tour to the Harlem Line’s more limited service stations. Melrose and Tremont are like the big brothers of the bunch, as their limited service is much more often than the once or twice per day Mount Pleasant and weekend-only Appalachian Trail. These are the final weeks of my Tour of the Harlem Line, as I’ve featured most of the stations so far. Next week we’ll go and visit Crestwood, the last station to be featured that was part of the Mid-Harlem Station Improvement project (all of which have photos preserved in the archives of the Library of Congress).

And if you’re in a particularly holiday-cheerful mood, check out some railroad holiday/winter brochures and timetables from my collection…

It certainly has been a lot of years since then… I’m hopefully less obnoxious on the train, and I know that beyond Southeast – what Brewster North is now called – there still is more to the Harlem Line. The first stop north of Southeast – beyond the electrified tracks, located 60 miles north of Grand Central – is the last stop in Putnam County: Patterson. There is one track here, as well as a platform that will accommodate four train cars. It is a small station, but it does have the amenities we have come to know: automated ticket machines, and a shelter for waiting in the cold (great for days like yesterday).

If the quiet nature of Patterson station is not quite your thing, and you are looking for a bit of adventure, I’d suggest visiting Texas Taco. It is also in Patterson and not far from the station. Adjectives that come to mind when describing the place are colorful, slightly creepy, and “holy crap that lady has purple hair.” But that isn’t a bad thing, is it? Before I had cat hats, I used to have blue hair – but that too was a long time ago…

 
   
  
 
  
 
  

A nice book about the history of railroads in the United States. The first chapter is a synopsis of rail history, and the second deals with Commodore Vanderbilt, and the New York Central Railroad.

The railroad builders: a chronicle of the welding of the states, Published 1919
Download an excerpt (first two chapters) here, or view the whole thing on Google Books.

For those interested in the Hudson Line, check out this book about the Hudson River Railroad:

Hudson River and the Hudson River Railroad, Published 1851
Click to view on Google Books

I’m currently reading the autobiography of Chauncey Depew, over his 93 years he served as Secretary of State for New York, as well as a senator, not to mention many years working for the railroad. He was the attorney for the New York and Harlem Railroad, and later became president of the New York Central. He mentions in his memoirs that he almost turned down the position when Vanderbilt offered it to him, as he had also just been offered a position as US Minister to Japan which paid more. Vanderbilt told him, “There is nothing in politics. Don’t be a damned fool.”

My Memories of Eighty Years by Chauncey Depew
Download this book from Project Gutenberg

Anyone else have some interesting books saved in their library on Google Books? Let me know! You can view my library here.

Mount Vernon West’s current station building was built in 1915 and was designed by Warren & Wetmore. The New York Central later sold the station building in 1959, but retained ownership of the passageway to the platforms, and the platforms themselves. Today the passageway contains automated ticket machines, and hung on the ceiling has an Arts for Transit piece. The glass and ceramic mosaic sculptures were done by artist Martha Jackson-Jarvis, and installed in 1991. When I was there I think I was so caught up looking at the ceiling I never even went out to see the front of the station – so whenever I happen to stop by Mount Vernon West I’ll have to do just that.