If you haven’t heard already, I have a pretty big article in April’s Railfan & Railroad Magazine, featuring my explorations of the railway in Chornobyl’s Exclusion Zone. On April 26th, the 29th anniversary of the Chornobyl Disaster, I’ll be showing my photos from that adventure at Whippany, along with some copies of the magazine. So be sure to check out the April edition of Railfan & Railroad (which if you’re a subscriber, started mailing last week), and come out and visit Whippany for their 50th anniversary, and my showing of photos on Sunday, April 26th!
Who else is ready for spring?
Although it is quite obvious that I am a lover of the Harlem Line, it is undeniable that there are beautiful spots located all along Metro-North’s right of way. Even though the Moodna Viaduct may be one of my favorites, there are plenty of other spots I enjoy on the Hudson Line, like Bear Mountain, Dobbs Ferry, and Breakneck Ridge. The area around Spuyten Duyvil is also especially nice, and I spent an afternoon there a few weekends ago photographing and recording both Metro-North and Amtrak trains.
If you’re interested in checking out the area, across the river Inwood Hill Park offers great views of Metro-North’s Marble Hill and Spuyten Duyvil stations, as well as Amtrak’s swing bridge. Not necessarily railroad related, but of noteworthy mention is the large painted “C” that is kind of hard to miss. The C stands for Columbia – and was first painted on the rock in the early 1950s, with the approval of the New York Central Railroad. Coxswain of the heavyweight crew team, Robert Prendergast, came up with the idea and approached the railroad for permission. After it was granted, the C was painted about 60 feet by 60 feet square, and has been maintained ever since.
One of my personal favorite spots is the swing bridge used by Amtrak, after it splits from Metro-North’s Hudson Line. As most of you are already aware, for many years Amtrak trains ran from Grand Central Terminal. After some significant work in the late ’80s, including fixing up this old swing bridge, Amtrak was able to finally consolidate its New York City operations in Penn Station and vacate Grand Central. I can’t say that I know first hand, but I’ve heard plenty of stories about raucous parties that happened on this bridge while it was out of service. Originally constructed in 1900, the bridge was damaged and taken out of service in 1982, and was reopened in 1991.
As has been readily established on this blog, I’m not much of a fan of subways. The subterranean lack of light has never been of much intrigue to me, though I do find some interest in the stations located above ground. Many of New York City’s above-ground subway stations feature attractive stained glass art, through the Arts for Transit program. While I thought it might be interesting to do a post featuring some of the attractive stained glass found on the subway, I ended up with a whole lot more material than I anticipated.
Though we won’t be going as in-depth as my previous tours of Metro-North stations, I did think it would be fun to tour some of the above-ground sections of the NYC subway, focusing on the glass art found at various stations. When trains went back underground – I bailed – and when the art wasn’t glass in the windows or windscreens, I skipped it.
We’ll start our exploration on the 4 Line. If you’re interested in joining up via Metro-North, board a Bronx-bound 4 train to Woodlawn from Grand Central or Harlem-125th Street. We’ll be starting at Woodlawn – the end of the line – and working our way down.
These days almost everyone has a camera – whether it be a point and shoot, an SLR, or just the stock camera that came with your cell phone. Despite all the criticism of people these days and what they’re photographing, part of me thinks that the people of the future who consume all their nutrients in pill form might find today’s photos of food taken by hipsters rather quaint. The fact remains that what is commonplace today may be noteworthy and historic tomorrow. Time has only proven this true – Boris Klapwald’s snapshots of Grand Central Terminal were boxed up and forgotten for nearly fifty years, until discovered by his daughter. She brought them to the MTA, and they were exhibited in the Terminal through Arts for Transit. Street photographer Vivian Maier was practically unknown until her largely undeveloped film was put up for auction after her death. Her discovered photos have since been exhibited around the world, and is the subject of a documentary. Although the good majority of the photos captured these days aren’t much to write home about, it is undeniable that we are well-documenting our world, and the things future generations will most likely interpret as just plain weird.
Though cameras were far less common in the past, there were many photographers that froze glimpses of what was then normal life. I’ve posted about the Depression-era photographers of the Farm Security Administration before – despite the name, the project yielded thousands of photos that had nothing to do with farms, but instead featured normal Americans living life – including two of the most iconic photographs of Grand Central Terminal. A similarly iconic photo of Chicago’s Union Station also came out of the project, captured by photographer Jack Delano. Delano’s railroad-specific work in the Chicago area is currently on display at the Chicago History Museum, which I recently got the chance to check out.
Last week’s post featured photos from the Oberbaum Bridge as an introduction to Berlin’s above-ground “Underground” stations. This time we’re taking a look at some more of these above-ground stations, with a focus on the U3 Line. If I had to pick my favorite U-Bahn line, the U3 would probably be it. Not only does it include some of the system’s oldest stations, it has a great mix of beautifully designed underground stations and tree-lined above-ground stations.
Trains are plentiful in the German city of Berlin, with the both the S-Bahn, and the U-Bahn, along with all the other longer distance trains that pass through. There is a general misconception that the S-Bahn is all above-ground, and the U-Bahn all underground (after all, the U does stand for untergrund), but despite that moniker, the U-Bahn has plenty of stations that catch the rays of the sun.
Across the globe, most countries have a set of standardized street signs. Many use similar concepts and are mutually intelligible by outsiders based on pictographs. Though the meaning may be easily gleaned, it is interesting to note the wide variety of pictographs used by each country. Despite the fact that modern trains are hardly reminiscent of the steamers of yesteryear, the steam train is the pictograph of choice to convey the idea of “train.”
In some late-night weekend boredom, I worked on a few posters showing the trains of Europe through the lens of street signs and their pictographs. The first one features the pictographs used by each European country to represent trains, in the colors of their flags. The top 20 countries are shown in descending order based on how many miles of rail they have.
If you like the flag poster, you can buy a copy here.
Technically speaking, the train pictograph above represents a grade crossing without barriers. An alternate sign is in use for crossings with barriers, and it uses a pictograph the resembles a cross between railroad tracks and a fence. I used that pictograph to show the differing track gauges used in Europe.
Crossbucks are are a ubiquitous part of rail systems, in the many places where trains converge with streets. Though most countries use a similar concept, the colors and proportions vary widely.
Anyway, the blog will likely be on temporary hiatus later next month as I’ll actually be riding some of these European rails.
In keeping with last week’s theme of exploring Connecticut, today we take a quick visit to the southern coast of the state to check out Shore Line East. As part of the important Northeast Corridor, many of the stations along the line have a long history with the old New York, New Haven, and Hartford Railroad. Though some of the railroad historical buildings are still around (like the freight house, now restaurant in Old Saybrook), most of the Shore Line East stations are of relatively new construction (the exceptions being New Haven, which we’ve visited before, and New London, which deserves its own post at some point in the future).
Shore Line East is operated by Amtrak, so you’ll often catch CDOT locomotives in the old New Haven Railroad scheme, Amtrak locomotives, or a horrible mixture of both (hey boss, I put our sticker on the front, and painted over the Amtrak logo!). The service itself is fairly young – Shore Line East trains began running in May of 1990 – and the line was only supposed to be temporary while construction was being done on Interstate 95. Due to its popularity, however, Shore Line East became permanent.
Of the newer Shore Line East stations, Old Saybrook is probably the nicest, and a pretty good place for capturing trains. Besides the Shore Line East trains, about eighteen Amtrak trains stop here daily (which is actually more than Hartford, which we visited last week). Three tracks run through Old Saybrook, and the station consists of a side platform, an island platform, and an overpass connecting the two. Because it was started as a temporary operation, little money was spent on Shore Line East stations. However, once the service became permanent, proper stations were constructed, the first being Old Saybrook in 2002. Branford, Guilford, and Clinton were opened in 2005, and Madison in 2008.
Most Shore Line East trains terminate at Old Saybrook, though a few do go on to New London. The bane of Connecticut’s railroads are definitely the many movable bridges found along the shore line. Some are over a hundred years old, and cause slowdowns and nightmares for Metro-North. In Shore Line East’s case, the challenge to operating more service to New London is that trains must cross several movable bridges, bridges that the Connecticut Marine Trades Association fights to keep open for boats, as opposed to closed for trains. While some have big plans for the service (like connecting it to Rhode Island), it is these local issues that will have to be addressed first (not raiding the state’s Special Transportation Fund is another…).
Unless you’ve been living under a rock, you know a lot of things have been going on for Metro-North this week. Though people have asked me whether I am going to cover the story myself for this blog, it is my decision to defer to others that have intelligently discussed it elsewhere. Unfortunately, such discussion is but a drop in the ocean of sensational and uninformed thoughts and opinions of everyone and their mother. Clearly, this is why idioms like back-seat driver and armchair quarterback have entered our lexicon. While the 24 hour media can tick seconds away debating whether trains should have seatbelts (no), whether “deadly” curves should be banned (remember that time when the tracks used to be more curvy, and we moved a river?), or whether trains are even safe (yes, and more so than cars), I’m content to allow the NTSB to conduct their investigation, and come up with their suggestions on how to make things safer. You know, the people whose jobs are to investigate accidents, that have Ph.D.s, and whose ranks include “one of the world’s foremost human fatigue experts.” I guess that’s why I like to go to a doctor when I have medical issues, as opposed to consulting some random guy walking down the street.
I will, however, not ignore the events that have transpired. How does a photographer go out and take Metro North photos, or continue blogging, and pretend like everything is awesome? It doesn’t feel right. You don’t want to focus on it, you don’t want to let it define you, but you don’t want to ignore it either. On Instagram I began a series of black and white photographs, which I titled Commuter Life, to try and capture the mood I was feeling. Black and white seemed appropriate – a little somber, a little mourning – the way I felt stepping out on Monday and boarding a train on my way to work. I tried to focus on the people that ride the trains, as opposed to the trains themselves. Four people lost their lives on Sunday, and they could have been any one of us. That person on the platform that we see every day as we both commute. It’s a way of life we share.
Included with every photograph was a short musing on my part. It was more of a stream of consciousness thing – none of the photographs were staged, nor were the comments planned in advance. I carried my camera, and captured the things that caught my eye – from people waiting for the train, to Hudson Line “refugees” playing cards on a packed train to pass the time. In most of the instances, the subjects were unaware I was even photographing them.
You will find the twelve photographs of the series, and their accompanying captions, below – presented with no further commentary.
Most of the places we’ve checked out thus far on the Alaska Railroad are part of regular routes that countless passengers have traveled over. Today, however, we’re going to take a look at two of the railroad’s branches – the Palmer branch and the Anchorage Airport branch. Both routes are occasionally used for passenger service, but are not in regular scheduled service. The Alaska Railroad operates a fair train every year for the Alaska State Fair, which travels over the Palmer branch and to South Palmer station. Besides the fair and other special events, it is mostly freight that sees this branch. Beyond the branch’s useable track lies the town of Palmer, for which the branch was named. Palmer’s depot still stands, and is used as a community center. Sitting outside is a restored coal locomotive.
The Anchorage Airport branch likely sees more passengers than the Palmer Branch, but it is still not a regularly scheduled route on the railroad. Cruise ship lines with chartered trains are usually the only patrons of the branch, leaving the depot there fairly quiet. If you have money to burn, the depot is available to rent, however.
Thanks to my camera, you can ride both branches from your own home. Starting off at the Anchorage International Airport, we pass the Anchorage depot before heading onto the Palmer Branch, finishing just beyond the South Palmer / fairgrounds station.
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Our second video for the day shows another hidden part of the Alaska Railroad, one that passengers never see. Reversing out of Anchorage’s depot, we head into Anchorage yard just after sunrise.
Next week we’ll check out yet another part of the railroad never seen by passengers, as we go behind the scenes and take a shop tour.