Found in the mezzanine area of the station, the glassword at 183rd Street depicts scenes from the area, both from the past and present. The title of the piece derives from the symbol depicted on the first panel of the piece – it is the Mohican “Many Trails” symbol. The meaning behind the symbol is described as thus:
The design symbolizes the endurance, strength, and hope of a long-suffering, proud, and determined people. The curved shape represents the arms of a man raised in prayer. the circles represent many campfires. The lines represent the many trails taken from the time the Indians left their ancestral homes.
Some of the scenes depicted in the piece are the lands once inhabited by the Siwanoy Nation (a branch of the Mohicans) in the 1600s, the Croton Aqueduct, St. Nicholas of Tolentine Church, and the Hall of Fame for Great Americans at Bronx Community College.
As has been readily established on this blog, I’m not much of a fan of subways. The subterranean lack of light has never been of much intrigue to me, though I do find some interest in the stations located above ground. Many of New York City’s above-ground subway stations feature attractive stained glass art, through the Arts for Transit program. While I thought it might be interesting to do a post featuring some of the attractive stained glass found on the subway, I ended up with a whole lot more material than I anticipated.
Though we won’t be going as in-depth as my previous tours of Metro-North stations, I did think it would be fun to tour some of the above-ground sections of the NYC subway, focusing on the glass art found at various stations. When trains went back underground – I bailed – and when the art wasn’t glass in the windows or windscreens, I skipped it.
We’ll start our exploration on the 4 Line. If you’re interested in joining up via Metro-North, board a Bronx-bound 4 train to Woodlawn from Grand Central or Harlem-125th Street. We’ll be starting at Woodlawn – the end of the line – and working our way down.
I think it is fairly well established that I love the Arts for Transit program, and pretty much any transit-related art in general. My three-year-long jaunt to every single Metro-North station was not only a great way to become familiar with our rail system, but to also become familiar with the art found within many of the stations. The Hudson Line has some of the newest and most attractive pieces out of the Arts for Transit program, including two stations that never made it into my Tuesday Tours. Both Croton-Harmon and Peekskill got some art in the latter half of 2012, after both stations had been featured on the site. Both are rather attractive designs, and I figured it would be worth visiting the Hudson yet again to check them out.
Some of Arts for Transit’s most successful installations are those that almost transcend the barrier between art and function, and those that interact with the space in which they are placed. While bronze sculptures hanging on the wall are certainly a lovely (though easily missed) addition to any station, the bronze chairs you’ll find at Pleasantville station become even more than that. They are attractive, but also functional, they interact with the people that use the station, and they begin a dialogue. People that spy them from the train might say, “what are those nice looking chairs, and why are they there?” And as the artists intended, they evoke the comforts and feelings of home, and the thought that to many regular commuters this station is their second home. When comparing Arts for Transit pieces, Pleasantville always seems to be the bar to which I compare, and is (at least in my opinion) one of the best embodiments of the program’s concept of enhancing the experience of travel.
In a similar vein to the Pleasantville piece, both of the newest Arts for Transit works on the Hudson Line seem to interact with the stations in which they’ve been placed, and thus the people that frequent them. Croton-Harmon’s artwork, a series of laminated glass panels by Brooklyn-based artist Corinne Ulmann, not only depict the changing of seasons, but seem to change on their own based upon the light that filters into the overpass. Several Hudson Line stations feature both faceted and laminated glass works in the overpasses, and I’ve always felt they’ve been successful as they’re never the same at all times. As sunlight passes through, colors are reflected onto the platforms and walkways and move as the sun crosses the sky. Thus the art is hardly static, it subtly changes due to season, time, and weather.
Metro North President Howard Permut speaks at Peekskill, with the station’s newest Arts for Transit piece in the background. [image credit]
Peekskill’s art, an installation of various painted steel pieces by Joy Taylor, also interacts with the station, and the sunlight. The large pieces cast shadows on the platform, but also highlight a play between new and old at the station. During Peekskill’s recent renovations, the station’s historical canopy was restored. This canopy runs parallel to the more modern one found on the station’s other platform, but both evoke a different feeling. The historical canopy is rounded, where the new is more angular, with squared edges. But with the artistic flourishes added to the modern canopy (the historical canopy was appropriately left without embellishments), the new canopy visually parallels the old. Not only does it create an interesting play between new and old, but it emphasizes the historical nature of the one canopy. That side of the platform is not bare, however. The fencing behind the old canopy carries the same flowery motif, but without compromising the part that is historical.
If you happen to get over to the Hudson Line, both pieces are certainly worth checking out, and make commuting on the Hudson Line a little bit more attractive than before.
And before I forget, Metro-North’s newest Arts for Transit will be at Fordham station on the Harlem Line. If you happen to be an artist, you still have a few days to reply to the Call for Artists. Submissions need to be postmarked by the 28th.
You may have seen this poster around… Pop Chart Lab brings the sky ceiling to life!
Arts for Transit, however, is not the first group to bring art into the Terminal. Long before the program was ever conceived, the Grand Central Art Galleries were established on the sixth floor of Grand Central. I was inspired to learn a little bit more about the galleries after purchasing an old New York Central dining car menu. The menu featured an example of the artwork one could find in the gallery, and the back contained a rather dated ad suggesting that businessmen take their wives on the trains and only pay half (which, if you are interested, I posted on the I Ride the Harlem Line facebook page).
On a dining car menu, 1953 – Grand Central Art Galleries. ((Menu from the author’s collection.))
The Grand Central Art Galleries were established in 1923, and remained in the Terminal until 1958, when they moved to the nearby Biltmore Hotel. Long established in our collective consciousness is the concept that a dead artist is worth more than a living one, but this gallery’s intent was to sell the artworks of the living. Both artists and non-artists paid a membership fee, providing artworks (1 a year, for 3 years) and cash ($600 when the galleries opened), respectively.
A wide variety of artists were associated with the Grand Central Art Galleries over its many years, including some well-known faces in the art world like John Singer Sargent. Featured on the menu above was a painting by Frederick Judd Waugh, whose art frequently depicted ocean scenes. He was also known for designing ship camouflage with the US Navy during World War I.
Today Grand Central’s upper floors are off-limits to the general public… but if you’d like to see how the 6th floor looked back in the late 1920s, here are a few photos!
Last Friday the MTA held a celebration for Grand Central’s Centennial, which expectedly turned out to be a widely attended day-long event. One of the main events was a rededication ceremony for the Terminal, held that morning. There were a wide array of speakers at the ceremony, including Mayor Bloomberg, Cynthia Nixon and Caroline Kennedy. Peter Stangl, the first president of Metro-North also spoke, as did Howard Permut, current president of Metro-North.
The West Point Brass and Percussion Band also performed, which seemed quite appropriate. According to historical accounts of Grand Central’s opening, the first song to ever be played in the Terminal was the Star Spangled Banner, which was not yet our national anthem at that time, on the east balcony. The band’s placement right below the east balcony as they played the song seemed rather appropriate, and probably the closest we’d get to reenacting what happened on February 2nd, 1913, at 12:01 AM. Also a fitting mirror was a presentation of a key to Mr. Permut by members of the Vanderbilt family – similar to the presentation of keys to Terminal Manager Miles Bronson one hundred years ago.
The only unfortunate thing to note is that much of the celebration was focused on the VIPs, as opposed to the lowly commuters that actually use Grand Central. (And for the record, no, running this blog did not qualify me as a VIP – I asked and was rejected. An “actual” member of the “press” granted me a pass in their stead. Thanks Steve!) VIP guests to the event got a special program and booklet, which are visible here:
Program for the Grand Central rededication.
Two poems were written about Grand Central by poet Billy Collins. The long poem was illustrated in one booklet, and the short poem appears on this "Poetry in Motion" poster. The posters were not handed out at the event, but have been sighted on trains.
The text on the inside of the booklet was the longer poem that was read by Billy Collins during the ceremony. The shorter poem, which he also read, appears in the program, and on trains thanks to Poetry in Motion and Arts for Transit.
Billy Collins speaks at the Rededication Ceremony
If you’re not familiar with Collins, he is a New York native that was both New York State Poet Laureate, and Poet Laureate of the United States… which in the poetry world is kind of a big deal. While I’m sure plenty of poems have been written about Grand Central, Collins’ poems may be the most high profile written about our lovely Terminal.
Well, Cornelius Vanderbilt is supposed to be here…
As of right now, I have little to say about the Transit Museum’s show “Grand by Design.” Unfortunately, a hundred years wasn’t quite enough to finish up the exhibition, and it seemed that things were missing. The fact that Cornelius Vanderbilt was not mentioned or pictured seemed like a mistake of monumental proportion. Apparently it turned out that Mr. Vanderbilt was supposed to be on that nice blank spot we’re all pointing to in the photo above. I was also disappointed that there was no mention of William Kissam Vanderbilt either – he was really the only Vanderbilt that had a direct influence on the construction of Grand Central. (If the Vanderbilts are still confusing you, it means you haven’t yet read this.) But in all honesty, I may have just been depressed that Anderson Cooper did not attend the event – he is a Vanderbilt, after all.
Another event that happened on Friday regarded the new United States Postal Service stamp, picturing Grand Central, illustrated by Dan Cosgrove. If you were one of the hundreds of people that failed to get the Grand Central centennial cover and stamp on Friday, you can purchase them directly online. Word was that within fifteen minutes they ran out of envelopes for the stamps. The whole purpose of the event was to get the stamp on the special envelope and get it postmarked… so I feel bad for all the people that waited in that line to get just the stamp, which could be purchased at any post office. If you’re looking to grab the covers with the February 1 date stamp online, the USPS site offers two versions for purchase, one with a color postmark for $21.10, or a regular first day stamp for $20.39.
Back on topic, the entire event was a big birthday bash for Grand Central. And no birthday celebration would be complete without a little music… Sarah Charness played the electric violin, and later Melissa Manchester sang. Manchester also shouted “I love you, gorgeous!” at the sky ceiling, which might be cute, had I not been thinking about this.
…and a little bit of cake… I hope you all like this photo, I dropped my piece of cake on the floor while taking it. And yes, only the VIPs got delicious cake.
The gorgeous cake was made by Eric Bedoucha of Financier Patisserie – a delicious confection modeled after the Information Booth’s clock. It was supposedly saved for the VIP dinner to be hosted at the Oyster Bar that night… which in itself is another mirror to actual events, as the first VIP dinner happened February 1st 1913 at 8 PM.
That about sums it up for the Centennial. With the ceremony past, I figured I’d leave off with a quick recap of all fifteen articles I wrote about Grand Central over the past hundred days.
2012 has been an interesting year here at I Ride the Harlem Line… we finished up touring the stations on the New Haven, Port Jervis, Pascack Valley, and Hudson lines, as well as visited some places far outside Metro-North’s territory. As if that wasn’t enough, we also began our Grand Central 100 for 100 Project, posting one image every day for 100 days, all to celebrate Grand Central Terminal’s centennial.
As is customary around the end of the year, let’s take a look back at what was most popular on the site this year, based on the number of reads… presenting the top 15 posts of 2012:
Starting off our countdown at number 15 is a photographic look at the old Milwaukee Road Depot in Minneapolis. Completed in 1899, the old station was renovated and turned into a hotel. An old train shed now offers an ice skating rink. This is one of a few posts on the blog about Minneapolis this year, from my visit there in April. Some of the other stuff from Minneapolis included the Stone Arch Bridge, a former railroad bridge converted to pedestrian use, riding around on the Hiawatha Line, the old and new Minnehaha Station, and the classical music playing Lake Street – Midtown station.
14th most viewed for the year is our Hudson Line tour to Yonkers. The nicely restored brick station at Yonkers, built by the New York Central, is definitely one of the gems of the Hudson Line.
There are plenty of hoaxes and tall tales related to Grand Central Terminal, but only one of them made our top fifteen list this year. Coming in at number 13 is the 1929 hoax in the Information Booth. As the story goes, a tricky scammer convinced a fruit seller that the railroad was planning on selling space in the information booth, and that prime space could be turned into a fruit stand. Of course, it was a complete lie, and the scammer skipped town with a nice wad of cash. Amusingly, you can buy apple in the Terminal today – either in Grand Central Market, or in the figurative sense, the Apple store in the main concourse.
Another Grand Central themed post comes in at number 12 on our countdown – featuring the sky ceiling that nobody really knows about. This painting can be found inside Grande Harvest Wines – it is the last surviving remnant of the 242-seat newsreel theater that was once in Grand Central Terminal.
Our tour of New Haven Line station Mamaroneck makes the list at number 11. Mamaroneck has a lovely old station that was undergoing a transformation into a restaurant called the Club Car – we managed to get a sneak preview of the place, and shared it along with the station tour.
The Hudson Line tour of Tarrytown station also makes the list, likely for our coverage of the new and most wonderful Arts for Transit piece by Holly Sears. The 1898 Richardsonian Romanesque-style station at Tarrytown was built by architectural firm Shepley, Rutan and Coolidge, who are most known for their stations on the Boston and Albany railroad.
One of the more memorable things I got to do this year was to have a brief chat with Metro-North Railroad President Howard Permut. Having been with Metro-North since its inception, the man has a pretty interesting viewpoint regarding the history of the Harlem Line. We talked about Metro-North’s formation from ConRail, Millerton, and other admirable rail systems, among other things.
Before touring the Port Jervis and Pascack Valley lines, I wrote a brief introduction to the West of Hudson lines, which was the seventh most viewed post on the site this year. The intro included a few maps, time tables, and a look back on the damage Hurricane Irene wrought on the Port Jervis line.
Sixth on our top 15 countdown is a trip to Metro-North’s Operations Control Center. This is the workplace for the railroad’s Rail Traffic Controllers – one of the most stressful and possibly thankless jobs at Metro-North. The current OCC is certainly high tech, but we also got a glimpse of the old OCC, and an ad for one of the New York Central’s historical towers in Grand Central – which looked quite archaic in comparison!
One of the most memorable shots of Hurricane Sandy was this capture of a boat resting on the Hudson Line’s tracks in Ossining, which I couldn’t help but turn into an image macro. In other news, whoever happens to own that boat is probably a big asshole, as it seems to be named after a Nazi warship. I guess the owner never realized his boat would end up on the front page of several newspapers – or top 5 in our countdown.
Coming in at third most popular is the Grand Central 100 for 100 project, featuring 100 historical photos of the Terminal in the hundred days leading up to its centennial. By now we’re more than halfway through, so if you aren’t following the project on Facebook, you totally should be!
It appears that everybody loves Dobbs Ferry station, as our tour was the number two most read post on the site for 2012. Featuring another Richardsonian Romanesque station by Shepley, Rutan and Coolidge, Dobbs Ferry also has a nice location right on the Hudson River’s waterfront.
Crugers and Montrose stations. Both stations were closed in 1996 and replaced with the new Cortlandt station.
Today’s tour of the Hudson Line takes us to one of Metro-North’s newer stations – the second newest on the line after Yankees-E 153rd Street, Cortlandt. Located a little over 38 miles from Grand Central, Cortlandt is in the upper, unelectrified portion of Metro-North’s Hudson Line, and situated between Croton-Harmon and Peekskill. Historically, there were two stations in this area – Crugers and Montrose – both of which were closed in favor of the new Cortlandt station. Space is always a critical issue at many Metro-North stations, especially when it comes to parking. Many stations have almost endless waiting lists for a parking permit. Cortlandt was one of the few places on the upper Hudson Line where there was room for expansion, and more room for parking. Especially built to replace Montrose and Crugers, the new station was opened in June of 1996.
Local timetables to Montrose and Crugers, and Hudson Line timetables from 1996. Note that Montrose and Crugers were there at the beginning of the year, but by midyear were replaced with Cortlandt. Thanks to Doug Dray, Otto Vondrak, and Bob Mortell for these timetables.
Although the parking situation was much improved at Cortlandt, Metro-North looked to expand even more, and in 2009 began a massive improvement project to the station. A new 720 car parking lot was built on the west side of the tracks, almost doubling parking capacity. Other improvements included a heated waiting room including a concession area, new canopies, and a new elevator. The New York State Department of Transportation improved the intersection between the station and Route 9A, which was also considered part of the project. The new road had lighted sidewalks built especially for those using the train to get to the nearby Veterans Hospital.
Pre-construction rendering of the improvements at Cortlandt
Cortlandt before and during construction. Before photo by Tom Panettiere, construction photo by George Kimmerling.
Aerial views of Cortlandt station, before and after the expansion. Note the new, larger station building, and the massive new parking lot on the west side of the tracks.
The MTA had a formal ribbon-cutting ceremony after the renovations to Cortlandt station were complete back in February, attended by both Metro-North president Howard Permut and MTA Chairman Joe Lhota. In his statements at the ceremony, Permut said “[Cortlandt] will address current and future needs of the railroad and the communities it serves,” which is actually quite true – especially the future part. Though most don’t attribute foresight as a quality generously abound in the MTA, whoever came up with the upgrades for Cortlandt was certainly thinking about future expansion. A blocked off stairwell to nowhere, gated off with a sign that says “Authorized Personnel Only” looks like a perfect spot for a third platform to be constructed – at some point in the future if ever needed (if electrification further north ever happens?).
Ribbon cutting ceremony at Cortlandt station.
Included in the original construction of the station was an Arts for Transit piece titled Three Statues (A Short History of the Lower Hudson Valley), by Robert Taplin. Three seven-foot tall statues stand beside the station, each representative of a historical group of people that were common in this area. On the left, a wealthy Dutch landowner. In the middle, a laborer from the early nineteenth century. And on the right, a Native American figure. The figures look out over the long shape of the Hudson River, rendered in stone.
That’s about it for today’s tour – next week we’ll head back south on the Hudson Line to another station in the Bronx. There are only four more stations left to be featured on the Hudson Line, after which my camera may go hibernate for the winter (except for the part where I go ride Alaska Railroad’s winter train)!
Today our Tuesday Tour takes us to one of Metro-North’s newest stations, Yankees – E 153rd Street, or as many people think of it, Yankee Stadium station. The station construction coincided with the building of the new Yankee Stadium – the stadium opened on April 3, 2009, and the station shortly afterward on May 23, 2009. Though a station servicing the stadium had been talked about for a while, it was the new stadium that provided the motivation to get the project off the ground.
MTA preliminary design sketch of what Yankees-E 153rd Street station would look like. The completed station is very true to this rendering.
Timetables highlighting the new Yankees-E 153rd Street station. Hudson Line timetable from the collection of Bob Mortell.
While I generally like to feature history in our station tours, Yankees-E 153rd Street is a new station, thus I figured it would be interesting to instead check out the construction of the station. This is Metro-North’s newest station in New York (Fairfield Metro is the newest station, located in Connecticut). Historically, the New York Central offered special game day service to the old Yankee Stadium, but it required taking a train to Melrose, and either walking or taking a bus to the stadium itself. Now the stadium is just a short walk away – making Yankee Stadium extremely well connected with public transit (a subway station also services the stadium).
Flickr user Interloafer wonderfully documented the construction of Yankees-E 153rd Street station, even capturing the first train to service the station, and a shot of the first game day service. The below photos are from his collection:
While Yankees – E 153rd Street is designated as a Hudson Line stop, it is unique in that Harlem and New Haven Line trains service it on special game days. Using the wye at Mott Haven, trains from those two lines can move onto the Hudson Line, allowing passengers a one-seat ride to games and events. On non game days, the station is regularly accessible by trains on the Hudson Line.
An important part of the new station complex is the elevated and enclosed walkway that stretches from the station proper towards Yankee Stadium. An Arts for Transit piece was installed in this walkway, consisting of eleven mosaic panels, each measuring eighteen feet wide, and six and a half feet tall. The work is titled The Home of the Stars, and is by artist Ellen Harvey. Each panel displays a progression of time, from the sunset to the stars in the evening sky.
The Home of the Stars, an Arts for Transit piece by Ellen Harvey. Photographs of each individual panel from the artist’s website.
In the station proper, things look a bit different than at most other Metro-North stations. The rounded advertisement boards on the platform, and the large overhead dome in the mezzanine seem to resemble an airport more than a train station. This is also the only Metro-North station where you’ll find single person entry gates. On game days, you’ll need to hand in your ticket to get through these gates, in case there was not time to collect your fare on the train. The remainder of the station resembles the typical Metro-North station, complete with island platforms, wire benches, and blue trash bins.
Anyways, here are the photos I took at Yankees – E 153rd Street station… hopefully everyone out there is okay and has survived Sandy!
Welcome to Riverdale, the site of today’s Tuesday Tour, and a lovely example of a Hudson Line station. Though Riverdale is in the Bronx, the area around the station looks more like the suburbs than the city. Beautiful views of the Hudson River and the Palisades surround you here – and not to offend anyone from the Bronx, the view here at Riverdale is probably not what comes to your mind when you think of “the Bronx.”
Metro-North’s station at Riverdale is located 13 miles from Grand Central. The facilities consist of an overpass with a few ticket vending machines, and two side platforms. Today, Riverdale is the northernmost station in the Bronx on the Hudson Line (Mount St. Vincent station was located north of Riverdale, but was closed many years ago). Although the station has some parking, a good amount of people use the Hudson Rail Link to get to the station.
According to architects Shepley, Rutan, and Coolidge’s archives, they designed a station for the Hudson River Railroad here in 1889, though I can’t seem to find any photos or mentions of it later on.
Right alongside Riverdale station is a small park that parallels both the tracks and the Hudson River. Although dedicated by Michael Bloomberg in 2005, and featured in the New York Times a year after, the park seems largely forgotten. The official name of the place is the “Riverdale Waterfront Promenade and Fishing Access Site”, but you might as well call it a big stinky mess. Access to the small park is gained on the southbound platform, where you descend a set of stairs and cross over a rail siding to reach the riverfront. It would likely be a nice place, if not for the stinky fish guts strewn about the sidewalk, and the overfilled trash bins that probably hadn’t been emptied in weeks. Without the trash, the park really would be a nice place to just sit and watch the river.
Arts for Transit at Riverdale – when it wasn’t covered up with weeds. [image source]
Also at Riverdale station is one of the most unphotogenic Arts for Transit pieces – and it’s certainly not the fault of the artwork. Rising and Setting, by Dennis Oppenheim is a colorful steel sculpture, unfortunately overtaken with weeds. Metro-North desperately needs to send someone over there with a weedwhacker. As much as I love the Arts for Transit program, I wonder at times if everybody fully thinks these things through. Putting art in locked stations is pointless, and although pretty horrible, North White Plains‘ art has been desperate for a paint job for years. All of these wonderful installations certainly need to be maintained – and at places like Riverdale (and Wassaic, where the art is also being obscured by growth) sending somebody to trim some plants seems like a pretty easy fix!
Though the area doesn’t get any bonus points for the stinky park, and few for the art, I really don’t mean to be insulting to Riverdale. The station is quite nice, and from the overpass, the view of the river and the Palisades is quite wonderful. Even from the platforms you can see large ships and tiny pleasure-crafts moving up and down the river. Wave Hill, the 28-acre public garden, is a worthwhile attraction not far from the station. They even operate a free shuttle to public transit riders, so it is definitely worth checking out if you’re ever in the area.
Artifacts from Ossining: Postcard, a 1984 ticket stamped at Ossining, and an 1851 Hudson River Railroad timetable that lists the station as “Sing Sing.”
Welcome to Ossining – probably one of the most widely known locales on the Hudson Line. Unfortunately, it is one of the most well known for a particular landmark located here:
Everybody knows Sing Sing – Late 1800’s stereoview of the railroad tracks running through the prison.
Yes, Ossining is the home of Sing Sing prison, or as it is known now, the Sing Sing Correctional Facility. Dating back to the early 1800’s, the prison has been a longtime feature on the Hudson River, as well as along the railroad. The Hudson River Railroad tracks bisected the prison, and the tracks still pass through there today.
Photo of the railroad tracks going through Sing Sing Prison, circa 1920.
Even those that are not entirely familiar with Sing Sing have probably heard the phrase “sent up the river,” meaning sending someone to prison. Sing Sing is the origin of that phrase – as it is located right up the river from New York City. Interestingly enough, some prisoners weren’t quite sent up the river – they were sent up the railroad tracks. Since the prison was conveniently located right on the railroad, some prisoners were actually transported from the city via train.
Their nice attire belies their destination – the four seated men on the right are being “sent up the river” by train, circa 1932. Those four were set to die in Sing Sing’s electric chair for killing a police officer. In 1933 the men were granted a new trial, and I can’t find any record of them actually being executed. Assumedly prisoners were not carried on the same train/in the same car as normal passengers.
Ossining’s railroad station is located just north of the prison complex, and is about 30 miles from Grand Central. The station currently on site was built in 1914 in the Renaissance Revival style, replacing the original that was built in 1851. While the original station was at grade, the new station was built above the tracks. Main Street was also modified so it too would cross above the tracks, eliminating the grade crossing.
Like many stations along the Hudson Line, Ossining has recently been fixed up by Metro-North. Some of the work at the station included seven brand new staircases, and four new elevators. Unfortunately during my visit (Ossining was actually the first station I photographed on the Hudson Line!) the station building was closed. The ticket windows are no longer manned, and Metro-North is looking for a tenant to occupy the space in the old station.
More postcards from Sing Sing, and Ossining station.
Before I wrap this up, one last detail to note about Ossining is that it also has some art. In 2010 a faceted-glass piece by abstract expressionist artist Robert Goodnough was installed through the Arts for Transit program. The piece, titled K—M—G, was originally created as a paper collage, and then translated into the finished glass. The work is comprised of 16 windows, all located in the station’s north overpass. All in all, it makes an attractive addition to a nice Hudson Line station.
My name is Emily, though I am known by many who ride the train simply as Cat Girl, for the hats I customarily wear during the winter time. I am a graphic designer, a former Metro North commuter and lifelong Harlem Line rider. This site is a collection of my usually train-related thoughts, observations, photographs, and travels, as well as my never-ending hunt for intriguing historical artifacts.