Today’s visit on the New Haven Line is to Port Chester, which I must admit, is one of my favorites along the line. If one was to compile a list of the more noteworthy New Haven Line stations, Port Chester probably wouldn’t be on it… yet it would rank high on my list. Not only did I love the historical station building, but I also loved the new art on the platform, courtesy of Arts for Transit. On the blog, I’ve already mentioned my love of the “leaf people” at Port Chester, what I suppose you would call a grotesque, or a figure carved into the side of the station building. I can’t really think of too many other Metro-North stations that have similar carvings, so they are rather unique, and give a little bit of character to Port Chester.

 

Postcard views of Port Chester station

Port Chester itself is a village that is part of the town of Rye. Historically, both Connecticut and New York claimed ownership of the land, though it was ultimately designated a part of New York, and of Westchester County. The Port Chester train station is the first station in New York, after crossing the border from Connecticut on a New York City-bound train. The station is slightly less than 26 miles from Grand Central, and trips range from 39 minutes to 56 minutes, depending on whether the train is an express during peak hour or not.

More postcard views of Port Chester

As much as I love Arts for Transit, I think they have screwed up on the New Haven Line. Much to the chagrin of railfans, station buildings are becoming obsolete. In order to save money, Metro-North has closed countless ticket windows on all of their lines. Ticket Vending Machines on platforms are the norm at most stations. If a station happens to still have a building, it has likely been converted into a commercial space, or it serves as a waiting room during very minimal, select hours. Knowing all these things, however, Arts for Transit has continued to place art inside these station buildings. I would have loved to take better photographs of the art at Larchmont, Harrison, and Rye, but alas, all three were locked.

Thankfully, Arts for Transit has done well at Port Chester – which is one of the program’s newer pieces of work, installed just last year. In fact, I think Port Chester is a perfect example of exactly how this program should function – good art, installed in the open, public space of the station, and visible to riders (as much as I love Mount Vernon East‘s, it is hard to see it from a train, and is sufficiently outside the station area that regular commuters could potentially never notice it). I’m also very pleased when the art featured is by a local artist.

Painting by Bernard Greenwald, whose art is featured at Port Chester

The artist behind the work at Port Chester is Bernard Greenwald – though born in New Jersey, he’s currently based in Red Hook, NY. A friend of Greenwald’s suggested he submit his work for Arts for Transit’s call for artists for a piece at Port Chester station. Out of nearly 400 entrants, Greenwald was one of four finalists chosen to make a final proposal. Ultimately his art was selected for the commission, and he created 40 paintings of the Port Chester area. The designs from these paintings were then silk-screened between glass panels by a glass fabricator in Long Island, and installed in various shelters located on the platform at the station. It is a lovely addition to a nice spot on the New Haven Line.

Older Larchmont station that was replaced by the current station

1955 sketch of the replacement Larchmont station

Today’s stop on the tour of the New Haven Line is Larchmont, one of the handful of stations on the line located in New York state. Larchmont, situated about 18 miles from Grand Central and in between New Rochelle and Mamaroneck, is a rather unique set-up. The station and platform run parallel to Interstate 95 – and the parking garage for the station is constructed over the highway. The older station was demolished around the 1950′s when the highway was being constructed, and was replaced with what we have now.

  
 
  
 
 
The photos above are all from the collection of the Larchmont Public Library

Larchmont has all the newest Metro-North train tech, with both video boards in the overpass that list the next nine trains, as well as announcement boards over the platform that identifies the next train and where it will be stopping. These are standard at larger train stations, such as Harlem-125th and White Plains. There is a small station building, but it was closed during my visit. Which is unfortunate, because there was an Arts for Transit mosaic in there which I didn’t really get to see. I still must wonder why the heck Arts for Transit places artwork in station buildings that are most often closed. The forty foot long mosaic is by artist Joy Taylor and is titled The Four Seasons.

Taylor isn’t a stranger to Metro-North and Arts for Transit – she submitted a proposal for the sculpture at Wassaic station, which was ultimately not selected (the piece by Anne Huibregtse that was selected was a perfect match for the station). From the photos on the internet I’ve seen, the mosaic looks beautiful, however I never got a good look at it. You’ll find a single photo of the mosaic below (taken through the window of the locked station), along with the rest of my photos from Larchmont station.

When I first started out doing a little bit of research on the railroad station in Rye, I was rather disappointed. I was coming up dry in a lot of areas – I couldn’t really find anything tremendously noteworthy about the station to write about. Apparently, I hadn’t looked hard enough, as the information I eventually found turned out to be an absolute gem. In fact, it is downright crazy, and I’m warning you in advance. This may have been the most amusing research investigation I have, or will ever go on.

Enter artist Matt Mullican. Mullican is the artist behind the recently installed Arts for Transit mosaic in the Rye station. I’ve already gone on record with my opinion of art being installed in frequently closed train stations, so I wont get into that again. Thankfully, there are plenty of windows in the Rye station, and I was able to get a few shots of the work inside through them. Apparently the mosaic is based upon the works of designer and architect Marcel Breuer. If you’ve ever been to IKEA in New Haven, you probably remember some odd looking building right next to it – it is the last remaining portion of the Breuer designed Pirelli Tire Building. Breuer also designed pieces of furniture that look like they could be sold in an IKEA, and he almost gave us this abomination:

So why exactly did Mullican pay homage to Breuer in his mosaic? Apparently Breuer was the architect for the (original) Rye train station. Arts for Transit has used the talents of countless artists, many of which have a rather diverse body of work. I’d be willing to go out on a limb here and say that Mullican definitely deserves a spot on the list of most interesting artists the program has employed. In his artist statement regarding the piece, it is said that “Mullican is concerned with the relationship between perception and reality.” And although not completely relevant to this post, the following YouTube video was too good for me to not post.

How does one perceive reality while under hypnosis? Oh my, what is he doing to the floor?

Back on the subject of railroads, Rye is one of the handful of New Haven Line stations in New York state. It is 24 miles from Grand Central, and during off-peak hours takes about 50 minutes to get to the city. However, during peak hours some trains make the journey in as little as 35 minutes. During the summer months many take the train to Rye station, enroute to the Playland amusement park. Besides that, Rye is pretty much a station like any other. Below you’ll find some old video clips I found on YouTube, and of course, the photos I took on my recent exploration of Rye.

Old footage I found on YouTube of Rye and other New Haven Line stations.

If you haven’t heard me say it before, I love Arts for Transit. The artworks scattered around the various Metro-North stations are a cheerful addition to an often-repetitive morning and evening commute (possibly with the exception of North White Plains. Anyone who has seen it probably agrees with me). Several of the New York state New Haven Line stations have Arts for Transit works, and one of my new favorites is Mount Vernon East, which I posted about several weeks ago. Unfortunately, after viewing a few more NH Line stations, I have a beef with Arts for Transit. Why did we put public art in the station buildings, buildings that are closed more than they are open? Larchmont’s mosaic is completely inaccessible when the station is closed. And the best view of Harrison’s faceted glass is from the inside of the station building, though at least it can be somewhat enjoyed from the outside. Despite that, Harrison’s faceted glass does make my list of favorite Arts for Transit works. Unfortunately, the best views I got of the piece were on the artist’s website, and not in real life.

Above images are from artist Tova Snyder’s website. The original acrylic on canvas paintings are shown on top, and their faceted glass counterparts (which are installed at the station) on the bottom.

In addition to lovely art, Harrison has an old station building, though it is no longer used by Metro-North. Which is a shame, as it has much more character than the more modern station. I can’t seem to find too much information about the station building, but as far as I am aware it is owned by the town. Perhaps one day it will be occupied more than just having Metro-North notes stuck to the door. Besides the lonely station building, the area surrounding the station is quite nice and has various shops. In fact, after taking photos at the station I purchased some ice-cream to eat on the platform, while waiting for my train to arrive and carry me the 22 miles back to Grand Central.

When it comes to communities with connections to Metro North, you can’t get more connected than the city of Mount Vernon. Two of Mount Vernon’s stations have been featured here before – Fleetwood, and Mount Vernon West, both on the Harlem Line. The city is unique in that it is intersected by both the Harlem and New Haven Lines, and that it has stations on both. Mount Vernon East is the city’s third station, and its connection on the New Haven Line – and in my own humble opinion, probably the nicer of the three.

Mount Vernon East claim to fame: being the true filmed location for the train station in Eternal Sunshine of the Spotless Mind.

Mount Vernon East is a relatively short jaunt from Grand Central: approximately 14 miles. It is the first station after the New Haven Line splits from the Harlem Line, and the last station before the switch from third rail power to catenary. It is one of the dwindling number of Metro-North stations that still has a manned ticket window, open on weekday mornings. Located next to the ticket window is a dedication plaque, a memorial to Fred Wilkinson, a longtime member of the Metro-North Railroad Commuter Council.

Also included at the Mount Vernon East station is one of my favorite Metro-North Arts for Transit pieces. As I work my way through the entire Metro-North system, I definitely enjoy discovering the permanent art placed at quite a few stations by the Arts for Transit program. I’ve already gone on record stating that the pieces at Wassaic and Pleasantville rank pretty high on my list of favorites – though that had been before I visited Mount Vernon East. I’ve always adored stained glass, and glasswork in general, and I have an immense amount of admiration for those who work in the medium, as it is far from easy. But when glasswork is done right, it can be a pretty breathtaking sight. I could probably stare at this piece all day long, and not get bored. It is aptly titled Tranquility – a little oasis of calm hidden in a bustling network of express trains and rushing commuters.

That pretty much takes care of Mount Vernon East, which for those keeping score, is the 70th Metro-North station that I’ve photographed thus far. It just so happens that it is also the first New York state station I’ve featured on the New Haven Line. And besides New Haven’s Union Station, it may be one of my favorite New Haven Line station… though I do have quite a few more stations left to discover.

This Tuesday the Tour of the Harlem Line makes a quick stop at North White Plains station. Located slightly less than twenty-four miles from Grand Central, it serves as a terminus for local trains servicing the southern stops on the Harlem Line. Up until the early 80′s, it also served as the end point for electrification on the line, but today the line is now electrified up until Southeast.

North White Plains is also one of the few Harlem Line stations to have an Arts for Transit piece. Installed in 1991, Rolando Briseño’s piece is titled At The Table. Although Briseño was born and works in San Antonio, Texas, he worked towards his MFA in New York City. His public art can be found at various different locations across the country – from airports, to train stations, and schools. The installation at North White Plains is made of cast aluminum on the platform’s columns. Several additional pieces can be seen underneath the station signs on the middle of the platform. In all honesty, this is probably my least favorite Arts for Transit piece that I’ve seen to date. I’m not exactly sure what it looked like when it was installed, but it looks like it has suffered under the elements. Years of salt on the platform during the winter looks like it ate away at the black paint on the bottom.

Since I really didn’t get too many good pictures of the station, I figured I’d give a little bit of a bonus. Located just north of North White Plains station is one of the Metro-North yards on the Harlem Line. Although I don’t normally post photos taken by other people unless they have some sort of historical significance, I will make an exception on these… mostly because they were taken in a place that I can’t go. Here are some photos of the yard at North White Plains…

If I haven’t mentioned it before, I don’t really like trains. Really, I don’t. Trains are a means to getting somewhere, and you can often meet intriguing people aboard, but the mechanical object that is a train doesn’t really interest me. The thing that interests me about trains though, is how they effect people and place. Over its long history, as New York City’s first railroad – chartered in 1831, the New York & Harlem Railroad (todays Harlem Line) has undeniably had a significant influence on the towns it traversed. The railroad was an important catalyst for the growth of Westchester County over the late 1800′s and early 1900′s – and Scarsdale is no exception.

The town of Scarsdale, named for the ancestral home of land owner Caleb Heathcote, was mostly farmlands before the railroad arrived in 1846. In fact it was so rural the entire population of the town numbered 255, mostly farmers, in 1840 (today’s population numbers over 17,000). Due to increased demand, by 1877 train service to Scarsdale was regularly scheduled and reliable. In 1891 the Arthur Suburban Home Company purchased a 150 acre farm and began subdividing it into lots – marking the beginning of large scale suburban development in the town. The first influx of residents were wealthy New Yorkers who built estates and used the train to commute to the city.

Today’s Scarsdale station was completed in 1902 and was designed by Reed & Stem. I’ve mentioned Reed & Stem several times before, as they have designed a few stations along the line, including Tuckahoe and Chappaqua, and also did work on Grand Central Terminal. Their design was in a neo-Tudor style, the first building in Scarsdale with that style. Many buildings later completed in the commercial areas of the town mimicked it, and today Scarsdale is known for the style. It is definitely a beautiful area, and was a well-enjoyed stop on my tour of the Harlem Line’s stations. Neighboring station Hartsdale is sort of like a younger twin brother to Scarsdale – Hartsdale’s station also mimicked Scarsdale’s neo-Tudor style. The two also share a companion Arts for Transit piece, comprised of silhouetted figures, by Tom Nussbaum. Scarsdale’s portion is called Travelers, and the figures are located on the top of the platform canopies.

As a city, Mount Vernon is well connected to New York through the Metro-North system. There are three train stations in the city: Mount Vernon East on the New Haven Line, and Fleetwood and Mount Vernon West on the Harlem Line. The city is at the south end of Westchester County and borders the Bronx. In fact, from the south end of the platform at Mount Vernon West, you can see the Wakefield station, the first Harlem Line station after crossing into the Bronx. Wakefield and Mount Vernon are also historically linked – both of their names come from plantations associated with George Washington: Wakefield where he was born, and Mount Vernon, where he died.

Mount Vernon West’s current station building was built in 1915 and was designed by Warren & Wetmore. The New York Central later sold the station building in 1959, but retained ownership of the passageway to the platforms, and the platforms themselves. Today the passageway contains automated ticket machines, and hung on the ceiling has an Arts for Transit piece. The glass and ceramic mosaic sculptures were done by artist Martha Jackson-Jarvis, and installed in 1991. When I was there I think I was so caught up looking at the ceiling I never even went out to see the front of the station – so whenever I happen to stop by Mount Vernon West I’ll have to do just that.

This Tuesday we visit yet another Westchester Harlem Line station: Tuckahoe. Tuckahoe is interesting in both an artistic sense, as well as historical. It is one of the few stations on the line that has an Arts For Transit piece, and the old station building still survives. It may not be used for selling tickets any longer, but it is beautifully restored and is occupied by Starbucks.

Tuckahoe itself is village located in the town of Eastchester, in the southern portion of Westchester county. Although the railroad played a significant part in the growth of Tuckahoe and all of the areas located along the line in Westchester (and further north), it was the discovery of marble in the early 1800′s that led significantly to the growth of the village. (The village was officially incorporated in 1902, the marble quarries were shut down in the 1930′s). Tuckahoe marble was used in many high-profile buildings, including St. Patrick’s Cathedral in the city, and the Washington Monument in Washington DC.

Tuckahoe’s station building was erected in 1901 and was designed by architects Reed & Stem. Reed & Stem worked on several stations on the Harlem Line, including Chappaqua, Scarsdale, and most notably, Grand Central. An Arts for Transit piece called The Finder / The Seekers by Arthur Gonzales is present at the station. Companion pieces also by Gonzales are at Crestwood and Fleetwood.

The station is located in a commercial area, and there are a few shops and restaurants that surround it. On Sundays during the summer the station’s parking lot also plays host to a farmers market (which you can see in the first photo).

As a bonus, here are some older photos of Tuckahoe in 1988. The station building looks a bit run down, and although I’m not the biggest fan of Starbucks, I must admit it looks much nicer today.

By now my little photography adventures have taken me to almost all of the Harlem Line stations (the only outstanding stations are Woodlawn, Williams Bridge, Botanical Garden, Melrose and Tremont. I’ve been warned for my safety at the last two). I’ve done a lot of fun things, and gotten to explore quite a bit. I’ve eaten an italian ice in Hartsdale with @kc2hmv, splashed in the river near Crestwood, and munched on good food in Mount Kisco, Valhalla and Tuckahoe. I’ve seen all the Arts for Transit pieces, and other randomly cute things, like the Commuter Rooster in Scarsdale. But despite all this, when I chatted with @bitchcakesny last night and she asked me my favorite station of all, I couldn’t quite answer.

There are so many good things about some of these stations, how could I pick just one? Wassaic and Pleasantville have my favorite Arts for Transit pieces, and I loved Harlem-125th’s art too, not to mention it was a great spot for photography. Bronxville has a unique station, and the shops surrounding Mount Kisco, Hartsdale and Scarsdale are cute and worth exploring. Chappaqua’s restored station building is a beautiful sight, and I’ve always been fond of Brewster’s old station building. What I was able to do though, is narrow it down by asking myself a question: If I had to be stuck at a single station for the entire day (maybe there was a big fire or something, shutting down Metro-North??), which would it be? And that answer is Katonah.

What makes Katonah special? The area around the station is very cute – full of shops and restaurants for eating good food. I will admit though, the Katonah Museum played a part in the decision. If you don’t mind walking the half mile from the station to this art museum, you really could spend the entire day here viewing art, shopping and eating. And if there was still time left you could hang out in the gazebo not far from the station, or go and visit the library which is two blocks away. Katonah is just another one of the nice places located along the Harlem Line, but one that certainly sticks out in my mind.