As is customary around this time of year, it is always fun to look back on the previous year and what was popular. For the past few years I’ve counted down your favorite articles and social media posts, and today I bring you 2014 in Instagram. Instagram has quickly become the most popular social network that this site is on. While I’m often out photographing, the good majority of the photos I take never make it onto this site. The good ones, however, show up on Instagram. Here’s the top 10 favorites from 2014:
Two Metro-North diesels meet near the Pleasant Ridge Road crossing in Wingdale, New York.
Left: An Alaska Railroad train bound for Fairbanks rounds the bend north of Nenana at sunset. Right: A Genesis pushes southbound on the Danbury Branch, kicking up leaves after departing Cannondale.
The only non-railroad photo to make the top 10, New York’s skyline as seen from the opposite side of the river in New Jersey.
As the somewhat clichéd song lyrics go, “they paved paradise and put up a parking lot.” In the case of the former rail station we’re visiting today, that almost happened – literally. The beautiful Santa Fe station in Fort Worth, Texas, was almost razed and turned into a parking lot. Thankfully, the property was purchased by real estate investor and developer Shirlee Gandy. After investing over two million into the building to properly restore it, it was reopened as the Ashton Depot, a lovely banquet hall that hosts weddings, corporate events, and other such festivities.
Opened in 1899, the depot was constructed in the beaux-arts style, though the design was undoubtedly influenced by the aesthetic of the southwest. The two-story rectangular building is constructed of bright red brick and detailed with white limestone. Fine details can be found on both the exterior and interior, including several lion heads that surround the building, and attractive plaster design work surrounding the inside archway.
Early view of the depot’s exterior, featuring some details that are a bit different today. Photo via Fort Worth Gazette.
Built for the Gulf, Colorado and Santa Fe Railway, the building was generally known as the Santa Fe depot. Several other railroads had used the building, but by 1960 the Santa Fe was the only railroad that remained. Once Amtrak was formed, it was the sole user for passenger service up until 1995.
When it comes to great American architects, one must certainly mention the name Henry Hobson Richardson. Richardson’s name may not be as widely mentioned as some others – likely because he unfortunately passed in his prime at the age of 47 – but his influence in American architecture is obvious. The architectural style he popularized bears his name – Richardsonian Romanesque – and is certainly one of my favorite architectural styles. The style features attractive arches and rusticated stonework – and is familiar to fans of the Boston and Albany Railroad, the style in which many of that railroad’s main line stations were designed.
Most of the Richardsonian Romanesque stations we’ve featured on the site – Chatham, Dobbs Ferry, Hartford, Irvington, and Tarrytown – were designed by the firm of Shepley, Rutan, and Coolidge, Richardson’s three assistants who continued the business after his death. The station we’re visiting today, however, was Richardson’s final station design. New London’s Union Station was conceived in 1885 – one year before Richardson’s death. Construction was not completed until one year after his death in 1887.
1885 elevation sketch showing the detailing for New London’s Union Station. Image courtesy Shepley Bulfinch.
Although New London Union Station strays a bit from the typical Richardsonian Romanesque style as it is constructed primarily of brick, the characteristic arches, detailing, and occasional swaths of rusticated stone can be found. Bricks radiate outwards from the arches, creating a sunburst effect, and alternating exposed bricks create detailed borders around the top. Completing the detailing of the station is a wide band above the entrance, labeling the building “Union Railroad Station.” The New York, New Haven and Hartford Railroad was the station’s primary occupant (having leased the Shore Line Railway in 1870), though the station was built in conjunction with the Central Vermont Railroad (which had leased the New London Northern Railroad) making it a Union Station.
Although it is quite obvious that I am a lover of the Harlem Line, it is undeniable that there are beautiful spots located all along Metro-North’s right of way. Even though the Moodna Viaduct may be one of my favorites, there are plenty of other spots I enjoy on the Hudson Line, like Bear Mountain, Dobbs Ferry, and Breakneck Ridge. The area around Spuyten Duyvil is also especially nice, and I spent an afternoon there a few weekends ago photographing and recording both Metro-North and Amtrak trains.
And #217 said, “I don’t think I can…”
If you’re interested in checking out the area, across the river Inwood Hill Park offers great views of Metro-North’s Marble Hill and Spuyten Duyvil stations, as well as Amtrak’s swing bridge. Not necessarily railroad related, but of noteworthy mention is the large painted “C” that is kind of hard to miss. The C stands for Columbia – and was first painted on the rock in the early 1950s, with the approval of the New York Central Railroad. Coxswain of the heavyweight crew team, Robert Prendergast, came up with the idea and approached the railroad for permission. After it was granted, the C was painted about 60 feet by 60 feet square, and has been maintained ever since.
One of my personal favorite spots is the swing bridge used by Amtrak, after it splits from Metro-North’s Hudson Line. As most of you are already aware, for many years Amtrak trains ran from Grand Central Terminal. After some significant work in the late ’80s, including fixing up this old swing bridge, Amtrak was able to finally consolidate its New York City operations in Penn Station and vacate Grand Central. I can’t say that I know first hand, but I’ve heard plenty of stories about raucous parties that happened on this bridge while it was out of service. Originally constructed in 1900, the bridge was damaged and taken out of service in 1982, and was reopened in 1991. (more…)
As the weather starts to warm up, perhaps you’ve been thinking about vacation. There are plenty of cool spots that one can visit, all by train. As we’ve certainly covered on the blog before, America’s railroads had in their employ both painters and illustrators to create works to entice travelers. Leslie Ragan is certainly one of my favorites – he worked for the New York Central as well as the Budd Company – and about this time last year we were posting some of his spring-like imagery.
This time I thought it would be fun to take a tour of the country through railroad art. There are countless examples of awesome posters and ads, but these are some of my favorites. Perhaps it will even give you some ideas on places to travel this year.
Maybe a nice shorter trip will be in order? Cape Cod, New England, Atlantic City and even Washington DC are all possibilities. Artist Sascha Maurer designed for both the New Haven and the Pennsylvania Railroads. The New England and the Atlantic City art below was designed by Maurer. Ben Nason also designed an array of posters for the New Haven Railroad, including the Cape Cod poster below.
Maybe you’d like to travel to a different city, a litter further away? Maybe you should visit Cincinnati!
Despite the fact that I’m not a big fan of the Pennsy, you it is impossible to not love this poster by Mitchell Markovitz.
Chicago is always a lovely place to visit!
Did I say tour the country? I lied. Maybe a visit to Canada is in order?
Now who doesn’t love a nice trip to America’s National Parks, the Pacific Northwest, or even California? Maurice Logan, William and Kenneth Willmarth designed some of these lovely views of the western United States.
Maybe a nice jaunt to the southwest? Artists Don Perceval and Oscar Bryn created these lovely posters for the Santa Fe.
Are mountains more your thing? Austrian artist Gustav Krollmann worked on these lovely designs…
Oh forget it, let’s just go everywhere! The awesome Amtrak posters designed by illustrator David Klein in 1973 make me want to see the entire country. Klein has a large body of work that is travel-themed, stretched over his entire career. His most known works were for Trans World Airlines, but he also produced work for Holland America Cruises and travel website Orbitz. Klein’s undeniably gorgeous work made railroads once again appear glamorous, just as they were in yesteryear.
Now that we’ve traveled around the country through railroad art, are you planning to take a vacation to some interesting locale? Are you going to go by train? Let us know in the comments!
In keeping with last week’s theme of exploring Connecticut, today we take a quick visit to the southern coast of the state to check out Shore Line East. As part of the important Northeast Corridor, many of the stations along the line have a long history with the old New York, New Haven, and Hartford Railroad. Though some of the railroad historical buildings are still around (like the freight house, now restaurant in Old Saybrook), most of the Shore Line East stations are of relatively new construction (the exceptions being New Haven, which we’ve visited before, and New London, which deserves its own post at some point in the future).
Shore Line East is operated by Amtrak, so you’ll often catch CDOT locomotives in the old New Haven Railroad scheme, Amtrak locomotives, or a horrible mixture of both (hey boss, I put our sticker on the front, and painted over the Amtrak logo!). The service itself is fairly young – Shore Line East trains began running in May of 1990 – and the line was only supposed to be temporary while construction was being done on Interstate 95. Due to its popularity, however, Shore Line East became permanent.
Some views of the smaller stations on Shore Line East – Branford, Madison, Guilford, and Clinton.
Of the newer Shore Line East stations, Old Saybrook is probably the nicest, and a pretty good place for capturing trains. Besides the Shore Line East trains, about eighteen Amtrak trains stop here daily (which is actually more than Hartford, which we visited last week). Three tracks run through Old Saybrook, and the station consists of a side platform, an island platform, and an overpass connecting the two. Because it was started as a temporary operation, little money was spent on Shore Line East stations. However, once the service became permanent, proper stations were constructed, the first being Old Saybrook in 2002. Branford, Guilford, and Clinton were opened in 2005, and Madison in 2008.
Most Shore Line East trains terminate at Old Saybrook, though a few do go on to New London. The bane of Connecticut’s railroads are definitely the many movable bridges found along the shore line. Some are over a hundred years old, and cause slowdowns and nightmares for Metro-North. In Shore Line East’s case, the challenge to operating more service to New London is that trains must cross several movable bridges, bridges that the Connecticut Marine Trades Association fights to keep open for boats, as opposed to closed for trains. While some have big plans for the service (like connecting it to Rhode Island), it is these local issues that will have to be addressed first (not raiding the state’s Special Transportation Fund is another…).
Exactly one hundred years ago, Connecticut was gripped in a frigid and snowy winter, much like the one we are currently experiencing. And exactly one hundred years ago last Friday, Hartford’s Union station was ablaze. On its own, a fire can be pretty devastating enough, but coupled with the snow, firefighters had difficulty getting to the station to put the fire out. Ultimately there were several small explosions, one of which displaced a large section of the roof, pieces of which fell and destroyed the ticket office. The station was heavily damaged, and much of the items in the baggage room – where the fire started – were destroyed.
Originally constructed in 1889, Hartford’s Union station was built in the Richardsonian Romanesque style, which first gained popularity in the Boston area and was used for several stations along the Boston and Albany Railroad. Conceptually designed by local architect George Keller, the bulk of the design work fell to architectural firm Shepley, Rutan and Coolidge, successors of Henry Hobson Richardson (which is where the “Richardsonian” part comes from. Shepley, Rutan and Coolidge also designed a few stations we’ve featured: Chatham, Dobbs Ferry, Irvington, Tarrytown). The station featured the typical arches and rusticated stonework characteristic of his style, using stone quarried in Portland, Connecticut.
Besides the 100th anniversary of the fire, the station is also celebrating the centennial of its rebirth. The entire building was not completely destroyed by the aforementioned fire, but the roof and interior were both gutted. Though some of the decorative arches at roof level were only slightly damaged, it was decided that the rebuild would not be to the exact specifications of the old station. Roof-level decorative elements were removed, and stonework was repaired – now bearing the date “1914”. The “new” Union Station boasted a full third story, and, as one would imagine, a fireproof roof.
The station after the fire was put out. Note the detail on the roof that no longer exists.
Despite spending the first twenty plus years of my life living in Connecticut, I am mildly embarrassed to admit that I had never visited Hartford’s Union Station until recently. Likewise, I must also admit that I was unaware that Hartford’s Latin motto is Post nubila, phoebus (after clouds, the sun). That motto can be found within the station, above the doors that once led out to the platform, flanked between the past and present of railroading – steam and electric.
A northbound train at Hartford in the late 1940s. Note the Capitol visible in the background. [image source]
These days, Hartford is not the hub it once was. No longer are the days where trains were plenty, and it has been many decades since quasi-celebrity citizens like Mark Twain and Harriet Beecher Stowe called Hartford home. About twelve trains stop daily at the station, the station is along Amtrak’s Vermonter, and Northeast Regional routes, and is a station stop on the New Haven – Springfield shuttle. Technically trains don’t run from the historical building – Amtrak occupies out of an addition underneath the viaduct carrying the railroad over the city, along with bus operators and a few fast food kiosks. One can, however, enter the addition from the historical depot.
If you’re ever passing through Hartford, the old station is at least worth a look. The stonework and detailing found on the exterior is undoubtedly beautiful, only marred by a few trappings of today – you’ll find security cameras just above decorative elements, and a garish Subway logo above a once more graceful arch. Be sure to check out the artwork at the top of the steps, and keep your eyes peeled for views of the the Capitol building from the platform.
Though begrudging partners, the architectural firms of Reed & Stem and Warren & Wetmore collaborated magnificently on the great Grand Central Terminal. Unfortunately, in mid-project Charles Reed died. Seeing this as an opportunity, Warren & Wetmore secretly approached the railroad’s directors the day after Reed’s funeral and convinced them to void the original contract – after all, there was no more Reed & Stem. The new contract named Warren & Wetmore the sole architects for Grand Central and the further projects associated with the Terminal (like the Biltmore Hotel). Ultimately, Stem sued Warren & Wetmore and was awarded a hefty sum in 1920, and Whitney Warren was expelled from the American Institute for Architects for unprofessional conduct ((An article discussing Reed & Stem and the Biltmore Hotel they were supposed to collaborate on, before the contract was changed, with Warren & Wetmore can be found here.)).
Despite all this, there seemed to be no bad blood between Stem and the New York Central Railroad. Forming a new firm with junior partner Alfred Fellheimer, Stem & Fellheimer designed the railroad station in Utica for the New York Central.
The construction of the new station at Utica was no easy task. The previous station, besides being inadequate for the traffic it was receiving, was plagued with problems in the spring when floods would cover the tracks with water. To combat this problem, and make additional room for platforms and a rail yard, the Mohawk River was moved about half a mile north. Construction on the station itself began in 1912, and it was opened in May of 1914.
Postcards showing the front of Utica station.
Utica station features a 47 foot high waiting room, with 34 decorative marble pillars, and some of the marble was said to have come from the old Grand Central Station ((According to popular lore, 8 of the columns were brought from Grand Central Station. Though often stated, according to the Oneida County Historical Society there is no evidence to prove that this actually happened.)). Originally intended to be a station for the New York Central, the station eventually became a Union Station in 1915 when the Delaware, Lackawanna and Western and the New York, Ontario and Western moved their operations to the building.
While the interior of the station is quite lavish, the exterior is a little bit more conservative. There are no great statues of Mercury, Minerva and Hercules atop the station, like Grand Central Terminal, but the caduceus “herald’s staff” often carried by Mercury is visible on the station’s façade. Several carved eagles, as well as a clock also grace the front of the station.
Tickets and another postcard from Utica
Like most old stations, Utica’s eventually fell into disrepair and considered for demolition. Thankfully, the station avoided the wrecking ball and restoration was begun in 1978. Now owned by Oneida county, the station is served by Amtrak, the Adirondack Scenic Railroad, as well as by Greyhound and other local bus companies. Some of the old waiting room is apportioned off and used by the Oneida County Department of Motor Vehicles. Since 2003, the building’s official name has been The Boehlert Center at Union Station, named for Sherwood Boehlert, a Utica native who served twelve terms in the US House of Representatives.
Let’s enjoy a quick little tour of Utica station, part of my ongoing endeavor to write about some of the other buildings and stations linked to the four architects of Grand Central Terminal…
Just about twelve years ago I hopped on a plane bound for Brazil to spend a year as a foreign exchange student. I lived in smaller city named Toledo – in the south-west of the country, not too far from the borders of Argentina and Paraguay, and the famed Iguaçu Falls. It was a nice place – think quaint Appalachian mining town with a little of White Plains mixed in – but hardly a city that would get significant numbers of tourists. While I lived there I had a host brother that was some years older than me, and he recounted his first visit to the United States. As is customary in many South American cultures, the 15th birthday is a big deal, and a lot of upper middle class folks reward their children with a big trip. Most tend to choose interesting places like Disney World, or New York. My host brother had a different idea – he wanted to go to another city called Toledo.
Toledo, Ohio is likewise a city I can’t imagine gets immense amounts of tourists (though apparently there are some modern rail hobos), but it certainly is a nice enough place. I’m not too sure what my host brother actually did here when he was fifteen – perhaps took a trip to the zoo – but it really doesn’t have the allure of say, Disney. Once upon a time, however, Toledo did get quite a few visitors, and many of them by train. The state of Toledo’s rail station today is really a visual reminder of not just the fall of passenger rail travel, but of the steady 40+ year decline of Toledo’s population.
In embracing modernity, the above 1800s Toledo station was replaced with the current brick and glass box. People hated this building so much that they cheered when it caught fire and burnt down. I think they’re crazy.
The replacement – Central Union Terminal postcard, and tickets from Toledo from 1950.
Central Union Terminal, opened in 1950, is claimed by Wikipedia editors to be the last “great” railroad station built by the New York Central. A modern structure made of brick and glass, it certainly doesn’t have the same charm as many of the Central’s older stations. When opened, the station had about 55 daily departures – compare that with today’s paltry 4 departures. The island platforms that connected to the main station, once filled with people, are relatively dormant today. The passageways leading from these platforms to the station proper have long been shuttered, and are fastened shut with rusted chain for good measure. Some lonely platform canopies protect ripped out platforms, and others just stand over rusted rails. Toledo may be Ohio’s busiest railroad station, but from some angles it looks quite abandoned.
The old passageway to the platforms can now hold quite a few chairs… note the doors on either side that led to the island train platforms below. More photos of the event space in the station can be found here.
Martin Luther King, Jr. Plaza, as it is called now, is served by Amtrak’s Lake Shore Limited, and Capitol Limited. With trains arriving at the station during hours many are asleep (11:39 PM, 2:50 AM, 5:22 AM and 6:15 AM), the station functions on opposite schedule – the waiting room is open most night hours, and closed during the day. Though the waiting rooms for the trains were once in a more attractive spot on the third floor, during renovations the waiting area was relegated to the bottom floor. The former waiting area on the third floor is now an event space able to hold 650 people… so in reality, this station is pretty cool – if you’re looking to host a wedding reception.
If half-abandoned rail platforms aren’t your thing, there’s at least a bunch of freight traffic through Toledo that you can check out. I even caught my first Norfolk Southern heritage unit… awww. In case you’re curious, the folks watching the train in the first photo were the aforementioned “hobos.”
It is starting to be that time of the season where everyone is thinking about summer, and about taking vacations. The railroad has always been a great method of getting around, and there are plenty of places you can see by train. If you’re looking for something more local, Metro-North will be having their Staycation Showcase in Grand Central next week. Amtrak also has a wide variety of places to vacation, all accessible by rail.
Despite all of these offerings, rail travel really isn’t the primary method that most people go on vacation these days. After getting patted down by your friendly neighborhood TSA, airlines can whisk you away to the other side of the country in a matter of hours, not days. And America’s love affair, the automobile, offers a more individualized and customizable trip across our nation’s Interstate system. However, neither of these options were available to folks living in the early 1900s. Rail was the way to go, and the best way to take a vacation.
Vacation brochures printed by the New York Central in 1908 and 1903.
Vacation packages, including rail tickets, were offered by the New York Central, and they printed many varieties of brochures advertising all the places one could visit. Summer resorts included in-state locations, like Niagara Falls and the Adirondacks, and some faraway places like Canada, Michigan, and even Yellowstone National Park – an 82 and a half hour trip from Grand Central Terminal, at a round trip fare of $97.80.
The winter resorts booklet might prove to be the most interesting – it offered long distance vacations to warm locales around the world – places that one would reach after long journeys via train and steamship. Setting out for “one of ‘Uncle Sam’s’ new possessions” – “Porto Rico” – would be a 20 day affair in total. The most fascinating part printed is certainly the map of the Pacific Ocean found at the back of the brochure, labeled as places “reached by the New York Central Lines and their connections.” If you had the time, and the money, you could certainly reach the Empire of Japan, and beyond. Straying not too far from home, a traveler could reach Honolulu by steamship from San Francisco in a total of seven days.
Map of the Pacific Ocean, printed by the New York Central in their 1903 America’s Winter Resorts brochure.
Interested in staying closer to home, or taking a shorter vacation? The New York Central also had a brochure of journeys taking two to fifteen days. Two days could get you to the Adirondacks or Lake George, four a nice trip to Montreal, eight a meandering journey to and from Quebec, and fifteen a wonderful itinerary stopping at several different resorts in many of the aforementioned spots.
Brochure of two to fifteen day journeys from 1912, and the Harlem Division map within.
If you’re really looking to stay in your own backyard, there were plenty of vacationing spots along the Harlem Division. The Harlem’s long-gone Lake Mahopac branch was established especially for that purpose. But as you can see from the map above, one could get more places via the Harlem than you can today – transfers were available in Chatham for the Boston and Albany Railroad to Massachusetts, and to the Rutland Railroad for Vermont.
Close to home – summer resorts along the Harlem.
Anybody out there planning on taking a vacation (or a “staycation,” even) by train this summer? Drop a note in the comments about where you’re planning on going!
My name is Emily, though I am known by many who ride the train simply as Cat Girl, for the hats I customarily wear during the winter time. I am a graphic designer, a former Metro North commuter and lifelong Harlem Line rider. This site is a collection of my usually train-related thoughts, observations, photographs, and travels, as well as my never-ending hunt for intriguing historical artifacts.