Last week I shared with you a collection of advertisements for the Budd Company, all featuring paintings by artist Leslie Ragan. When I said he created a significant number of paintings for the ads, I wasn’t kidding. In fact there are so many different ads featuring lovely paintings, I think I’ll have to split this into yet another post! Enjoy another round of lovely art!
Well it might not be very Spring-like outside right now, but at least this week we did have a few days with some enjoyable temperatures. I’m not sure about all of you, but I’m certainly ready for the cold weather to be done. I always joke that my camera hibernates for the winter, which isn’t quite true, but I would much rather be taking photos of trains in some nicer weather (And yes, I suppose it is somewhat ironic that despite all that I took my recent vacation to Alaska). The good thing is that hunting for railroad ephemera is a hobby that doesn’t really require nice weather. While wandering around I happened to come across a cache of lovely artwork by famed railroad artist Leslie Ragan.
Now if you’re familiar with the blog, you may remember that I’ve already profiled Ragan, and have already gone on record with how much I love his paintings. Ragan did quite a bit of work for the New York Central, and some of it was featured on system timetables during World War II and the ensuing years. Of course Ragan didn’t work solely for the Central – he created works for a wide variety of companies and organizations – including the Seaboard Railway, the United Nations, and even the Woman’s Home Companion. But perhaps Ragan’s largest body of work were the paintings he did for the Budd Company, and used for many of their ads in the 1950’s. And it was one of those ads that seemed decidedly Spring-like, and inspired this post.
If you enjoy Ragan’s artwork as much as I do, this post will be a real treat, as we have quite a collection of Budd ads. So many that there will have to be a part 2 at some point in the future!
Obviously, the above is photoshopped, but for veracity’s sake, below you’ll find the original advertisement – which is not at all for Valentine’s Day. The main concept it depicts is traveling in between the “heart” of cities, as the railroad does. With the mention of no “stormy skies” the ad seems to reference commercial air travel – to which the railroads were steadily losing passengers. While most railroad stations are more towards the center of the city (especially the case with Grand Central in New York), many airports are far outside it. Unfortunately, most people would rather take a short flight than a long train ride, even if they had a nice amenities, accommodations, and food on a train.
When Grand Central Terminal opened, some of its most touted amenities included the special waiting rooms for men and women located right next to the general waiting room. Included within were a barbershop, dressing rooms, and a manicure parlor, and all were operated by a rather ingenious entrepreneur by the name of James P. Carey. Not only did Carey have a gift for making and creating businesses, he recognized Grand Central as a prime opportunity, and the perfect place to launch those businesses.
Born in Middletown, Connecticut around 1869, James P. Carey was a trained barber that just happened to have a knack for business. After moving to New York City in his youth, he eventually started a chain of 25 barber shops, which he ultimately sold to focus on business ventures in Grand Central. His first established Grand Central endeavor was a barbershop in 1905 – several years before today’s Terminal was constructed. Like several other businesses in the old station, Carey reestablished his barbershop in the Terminal when it was completed, though it was much expanded.
Carey’s barbershop in the new Terminal was truly a spectacle, and was claimed to be the largest barbershop in the world. Measuring 10,000 square feet and part of GCT’s mens’ waiting room, it was filled with plate glass mirrors, high polished Carrara glass, cream tiling, and marble basins. Only the best-trained barbers stood at the ready in white uniforms, waiting for patrons. In addition to walk-ins, you could also reserve an appointment by phone, or by telegraph from your train. The shop operated from 6 AM to midnight, and in addition to the barbers employed 2 cashiers, 3 coat and hat attendants, 3 shoe polishers, and 2 podiatrists (or as they were then called, chiropodists). The shop also contained a Russian steam bath, offered at a cost of 50 cents, and large enough to accommodate 33 men. For the women, Carey operated the manicure parlor and hairdresser as part of the women’s waiting room, which employed 6 manicurists and 2 hairdressers.
Not only did Carey have a keen business sense, he had quite a talent for sensing what patrons of the Terminal needed. When I posted about the Grand Central Theatre, I tried to make the point that Grand Central morphed along with changing demographic of people that used it, and constantly reinvented itself to remain current and relevant. In that respect, Carey’s inventiveness perfectly reflected that spirit of Grand Central. At first the barber shop tailored to the high profile guests of the Terminal – people that relished their privacy, and could wire the barbershop from their train to reserve a private appointment. Soon after, Carey opened yet another barbershop – a no frills affair geared to the more everyday folks using Grand Central. Not long after that Carey noted that not just passengers were interested in getting their hair cut, thus he opened smaller shop in Grand Central’s office building for employees and train workers.
At most, Carey is said to have operated twelve different businesses in the Terminal, including a clothing shop, laundry, luggage check, and car service. While some people were at first skeptical of the commercial space in the Terminal, calling it “barnlike” and having “storerooms [that were] too scattered,” Carey realized the opportunity, and created new businesses to fill the void. One such business was a haberdashery, or men’s clothing shop, which survived for many years in the Terminal.
Believing that Grand Central represented amazing opportunity, Carey focused on acquiring as much commercial space in the Terminal as possible. In 1920 Carey managed to oust fellow longtime tenant Mendel’s check room and luggage when their lease ran out, acquiring the space for himself. Like Carey, the proprietor of Mendel’s first established his shop in the previous Grand Central, though much earlier than Carey, in the 1870’s. When their lease came up for renewal, the owner, unaware they even had any competition for the space, put in a bid matching what he had been paying previously. Unbeknownst to him, Carey entered a higher bid, and by the time Mendel’s tried to up their bid, it was too late. Knowing that the check room and luggage shop was a necessity for the station, Carey opened his own version in the newly acquired location.
In 1921, right outside the walls of the Terminal, Carey embarked on his most significant and profitable venture – car transportation. Using the fanciest cars available at the time, Carey’s drivers chauffeured wealthy patrons arriving and departing Grand Central Terminal – rumored to include Babe Ruth, John F. Kennedy, and J. Edgar Hoover. Eventually the car service was expanded to include New York’s airports, and buses were added to the fleet. Though the company has gone through many changes and transitions over the years, Carey International is the current form of the company started so many years ago outside Grand Central.
In a move that would likely be frowned upon today, Carey fashioned himself a logo modeled after the New York Central’s. Below is the logo in use by Carey International, the current form of the company that J.P. Carey started many years ago.
Carey operated all of his businesses in the Terminal until 1940, when he retired due to illness (he died not too long after, in 1942). Many of the businesses he set up in the station, like the men’s clothing store, lasted for at least 50 years. The baggage check service was ultimately rendered obsolete when the New York Central installed lockers for travelers. As mentioned above, a successor firm to the transportation service Carey started still exists under the name of Carey International.
One final vestige of the Carey name still exists in the Terminal – a spot called Carey’s Hole (visible in this Metro-North floor plan). Until recently, Carey’s Hole was a locker facility used by Metro-North’s conductors and engineers (these locker facilities have now been relocated to the third floor). Located below the spot where Carey’s barbershop once was, this basement area was likely used for storage many years ago. For a man who spent much of his life on endeavors in Grand Central Terminal, it seems appropriate that at least one spot in the Terminal bears his name – even if it is just a basement.
Today as a graphic designer, I have various different methods for catching your attention in an advertisement. Attractive imagery, and most importantly, color, are major ways a designer can catch your eye. But what if we’re talking about design well over a hundred years ago, when color printing and photography wasn’t around? Although using various typefaces is certainly an option, my personal favorite tactic of yesteryear is the pointing finger. You know things are serious when that finger comes out!
The Hudson River Railroad schedule above, printed in 1852, makes use of the pointer finger in a very small way – it is visible at the very bottom. But what if you really wanted to get people’s attention? You can’t make it red, so clearly it needs to be BIGGER!
That is a HUGE pointer finger! Guess you better remember to buy your train tickets at the Union Ticket Office, at the 9 Astor House! Note that this 1861 ad makes additional use of the finger in a smaller way – highlighting the fact that they sell tickets to all railroads, not just the Hudson River Railroad or the New York Central.
Next advertisement I design, I think I am going to stick a big pointer finger in it. We’ll see how well that goes over…
Ah, 2010. You were the first full year that I actually operated this blog. Lots of fun and shenanigans were to be had. I decided to take a look back at what was popular on the site this year, as a wrap-up for 2010…
The first entry here is not train-related in any way… however it was such a major news story at the time I couldn’t not have some fun with it – though fun is actually a terrible way to describe it, as the Gulf Oil Spill was quite tragic. To me the two standouts in coverage on this was a fake twitter account, BPGlobalPR, and Boston Globe’s The Big Picture. I merged the two into fake billboards, which apparently caught on and made their rounds on the web – and brought around thirty thousand viewers to the site in a single day.
It is true, I have turned into an eBay whore… collecting just about anything regarding the Harlem Line. Many of the timetables I have can be found on the second most popular part of the site, the Harlem Line Timetables archive. It is desperately needing updating, as I own or have scanned many more timetables than are currently pictured. My goal was always to have a timetable for every year, and for the most part I do have that, from 1930 on up. Look for a major overhaul of this section in 2011!
Ah, stupid warning signs. One of the most amusing things I’ve made for the site. These popular signs round out the top three most popular things on the site this year. Folks have requested that I turn these into stickers, but if you people start sticking these on trains the MTA PD might actually have a real reason to arrest my ass.
One of the posts I made after returning from Japan featured the Tama Densha railcar of the Wakayama Electric Railway. The railroad is known in offbeat circles around the world due to the fact that they employ a feline Stationmaster (I believe she’s actually been promoted to Vice-President now). Tama the cat was so popular, designer Eiji Mitooka created a train car in her honor. The front of the train has whiskers, the seats inside have cat print. My favorite part of the train? The library full of books for the kids.
I’ve always been fascinated with Centralia, ever since I first read about it on the internet many years ago. Since then I’ve visited several times. The story begins in the 1960’s, when a coal seam under the town caught fire. It continues to burn to this day. The land has fissures that belch smoke, and it permanently smells of sulfur. It is a tragic story, as the once bustling small town has been whittled down to less than ten citizens.
The coal under the town that is burning is anthracite – which was popularized in little rhymes about Phoebe Snow in advertisements for the Lackawanna Railroad.
Although I hadn’t come up with the concept yet, the Harlem Line Panorama project began with Mount Pleasant – which I labeled as the loneliest station on the line. The tiny station in between Hawthorne and Valhalla services the cemeteries in the area, and has very limited service.
The first panorama posted on the site
If you’re interested in seeing all the panoramas to date, located on a map – this is the place to go. This Google map is the seventh most popular portion of the site, although technically it lies off site and on Google’s servers. However, each placemark contains my favorite panorama from that stop, and a link back to the post on this site.
The Transit Museum in Brooklyn has employed a cat or two, mostly in the hopes that they would chase away any subway rats. In this eighth most popular post I recollect my first visit to the Transit Museum and my encounter with Sadie… and my crazy idea to get her a miniature-sized train conductor’s hat. Of course none of that really panned out – and as far as I am aware, Sadie has been quietly retired from the public.
Back in June I posted these spoof ads for Metro-North and beer. If you are a regular commuter you will notice that in the afternoon, and most especially on Fridays, there are quite a few people drinking beer. The exception to that if you are those people that work at Target in Mount Kisco, you’re drinking it in the morning. But since you can’t drink and drive, and you can certainly drink and ride, Metro-North could always have an amusing new ad campaign.
Ah, April Fools Day… I couldn’t resist making a fake post about the new M8’s. Shattering the dreams of many New Haven Line riders, I posted that the red trains would be repainted blue and running instead on the Harlem Line by the end of the year. I even made up some fake quotes and attributed them to Dan Brucker – which probably doesn’t place me very high on his list of awesome bloggers.
So that is it! The ten most popular things on the blog in 2010. Happy New Year everyone!